How to turn disappointment and despair into success with playwright Jack Canfora

In this episode of The Mindful Writer, Jack Canfora and I explore the challenges of keeping a calm and positive mind despite disappointment and despair.

Welcome back to season two of The Mindful Writer. There are lots of great guests in this season. As always, they have been a joy to meet and I am looking forward to sharing their wisdom with you.  

In this episode, Jack Canfora and I explore the challenges of keeping a calm and positive mind despite disappointment and despair.

Before I introduce you, let me update you on my writing journey. Life has become incredibly busy for me – but exciting too. We returned from a Mediterranean cruise a week ago, our first venture abroad since the pandemic. It was a wonderful holiday and I returned with my creative well overflowing from the many fascinating experiences on our travels. 

The downside of a holiday is managing the workload before and after the break. I am following the advice I have shared here from guests – scheduling everything in my diary and only concerning myself with one day’s activity at a time. 

Alongside preparing for the launch of my next novel The Forever Cruise on 1st December, which is incredibly exciting because it will be my first in person launch event since the pandemic, I am helping to organise the Frinton Literary Festival in October. Paula Hawkins and Freya North are just two of the authors featured this year. 

I try to schedule at least two hours every day to write, as well as allocating marketing and admin time. It would be easy to neglect my writing if I did not make this a priority.

When there are many competing demands on our time and we feel overwhelmed by the to do list we often neglect our self-care. The truth is relaxation, exercise, family time – the things that make us feel good, are even more important because when we balance these with work we achieve more and become more resilient. 

My guest this week has experienced many highs and lows in his writing life and has a realistic perspective on what we might expect of ourselves in challenging times. So, let me introduce you.

Jack Canfora is a playwriter and podcaster. He blogs www.thewritingonthepaddedwall.com, has an

online theater company  www.newnormalrep.org with a podcast “New Normal Rep’s Play Date” on most platforms.

In this episode we explore:

What we can and can’t control as writers and when to let go

Coping with envy and disappointment

How we can learn from our suffering, turning it into something positive

Jack Canfora

You can listen to the podcast here: Season Two, episode One.

 How to turn disappointment and despair into success with playwright, Jack Canfora.

Or read the transcript below.

Deborah: Jack Canfora, playwriter, podcaster and writing coach, I came across you through the Pointless Overthinking blog as you’re a regular contributor. However, since then, I’ve discovered and listened to your podcast NNR, the New Normal Rep Theatre Company podcast, and I love your energy and sense of humour. There have been numerous regional productions of your plays, and you’ve won several playwright awards. So, I consider you to be very successful as a writer. This is something you and I have discussed – how do we measure success? So, Jack Canfora, what does success look like to you?

Jack: Well, I can tell you what I aspire that answer to be for me, which is – and I’m getting better at it, I feel I’m getting closer to it – is thinking of success in terms of doing what you’re doing, in my case writing, as well as you can possibly do it. In whatever that means to you, you know, for me, it is to be honest, and it’s hopefully entertaining, but also accomplishing what I set out to do, which is writing a play – simply writing a good play. And if you get people to perform it, that’s even better, of course. But ultimately, those are all things beyond your control – beyond my control, certainly, and the only thing I can control is how well I write. And if I feel satisfied with what I’ve written – relatively, because I’m never completely satisfied, right?  I think someone said, forget who – they said about plays, the plays are never finished, they’re just abandoned. And I think that’s true of probably all writing. But as long as I can feel at the end of the day, I’ve done the best I could do, then that should be my definition of success. And there are days where I’m pretty close to that. And there are days also when I get to work with some talented people, which I’ve been very lucky to do pretty regularly, and get to spend time in a room with them working on a play that I wrote, and they take the trouble to remember the lines I wrote.  I mean, that’s pretty great in and of itself. There’s a sense in which, you know, what more could you want from from life? In fact, that’s the most fun for me – being in the rehearsal room and doing those things in collaboration. There are external things sure, like, having your name better known and having some money. I wouldn’t lie and say that I’m not so profound, that those things don’t matter to me. But I think in the end, I have to try to measure and I think all I can do is try to measure what I can do, and leave the other things to the fates. So, is that too long a winded answer?

Deborah: No, it’s not at all, but there are a few things I want to pick up with you on the interesting points you made. First of all, the point you made about the things we can and the things we can’t control, that’s quite difficult, isn’t it?  To think about what we can control and letting go of the things we can’t.  I know you coach writers, how do you help them cope with the letting go of what they can’t control?

Jack: Well, first of all, do as I say not as I do to a certain extent. I mean, I think it’s something that’s aspirational. Like I would argue, mindfulness is probably. You know, attaining that perfect sort of Zen – just being in the moment and letting everything go. Very few people can ever really, truly accomplish that for any length of time. But that’s always the goal. And you can’t – paradoxically, you can’t measure your time there in terms of goals. It’s just, you know, being in the moment in terms of letting go of the stuff you can’t control. I think it’s a tough reality to square with what your dreams or ambitions may be. I have to tell myself this on a regular basis. I read – someone posted something recently, and they said that ‘the theatre is at least twice as old as the Christ’s tale and it’s been disappointing disciples ever since and that – art owes you nothing. And you owe yourself the best you can do. The things that are beyond your control – you’re going to have to let go one way or another, are you going to let go of it freely? Or even let go of it? Or are you gonna have it prised from you kicking and screaming? Either way, you’re gonna have to let it go.

Deborah: We’ve all had that experience – that kicking and screaming, when you rail against the world that ‘why hasn’t this or that happened?’ and, ‘it’s not fair.’ The energy we waste on that.

Jack: Oh, my goodness, yes, that’s, you know, more of my week than I would like to admit.

Deborah: Another point you said, is knowing when to let go – when it’s finished. Saying that, you can keep on and on and on, and you say ‘a play is just a play that’s been abandoned because it’s never finished.’ There are two things there: How do you decide it’s good enough? And also, when you’re doing the best, you can, for yourself – to show your best work, how do you stop those voices in your head, that are the critics – the voices questioning how it’s going to be received that get in the way?

Jack: Yeah, well, again, it’s sounds like this is going to be a wishy-washy answer. But I think that it’s a little bit of both. I think you do have to silence those critics at a certain point. But I also think it’s important to listen to them to a degree. Because, I think, if you don’t, you run the risk of becoming sort of self-indulgent. And the minute I think, as a writer, and as a novelist, or a poet, or short story writer, or a playwright, or what have you, you send – you know, you write your work and keep it to yourself, that’s fine, you can be as self-indulgent as you like, it’s sort of freeing in a way – but the minute you send it out for someone else to read, then I think you have an obligation to not be that way, to yourself as much as anyone else, because probably no one’s going to want to read it or do it if it’s that way.

 I have been lucky enough to cultivate relationships with a few people in particular, whom I have great respect for. And so, just to give you my own experience as a playwright, if I’m in a room with people whom I trust, you know, in terms of their intellectual and emotional judgement about a work, and they say, X, and I was thinking Y, then, that doesn’t mean I’m wrong necessarily. Or there is a wrong. But if you’re saying X, and my intent was Y, it behoves me to at least consider X, because three very smart and dedicated people have said this whom I trust. And again, I can’t emphasise that enough, because there are people who, whose judgments won’t jive with yours. And so, you need you need to be open to that critic. 

But on the other hand, you also have to say, you sort of have to feel I think, when you’ve reached a wall. The great thing for me as a playwright is if my play is being produced, there reaches a point where the script is what they call frozen, and the actors and you are no longer allowed to make changes. And that is a great thing to do, you know, to a writer actually, because you can overwrite things. I think, a lot of problems for playwrights and also my guess is for novelists or other fiction writers, you can workshop things to death. And there is a point where, you know, there’s little quirks in the play that technically may not be by the book correct. If you sand all those away, it becomes pretty nondescript. So again, it’s a question of taste, right? I mean, I readily accept that not everyone is going to like my plays. I say that, but I don’t really think that!  But I aspire to that. I mean, Tolstoy hated Shakespeare, so Shakespeare can’t be beloved. I do feel the onus of having everyone like me, is definitely lifted off of my shoulders. You know, I just have to do the best I can. And you know, again, it’s a constant practice. I think it’s a practice and I’ve never gotten there completely. I may never achieve that at all. But that’s certainly what I what I aspire to do. 

What I would advise is constantly tug back and forth with yourself. Be absolutely as forgiving to yourself as you can be while you’re writing and then as ruthless with yourself as you can be when you’re editing. It’s a bit of a back and and forth, I think.

Image by Hoàng Anh Vũ from Pixabay

Deborah: Do you use anything like yoga or meditation? Because as you were talking, and you were saying, keep going back to it, it made me think of when we’re meditating. And your mind wanders, and you come back to the stillness. So, do you have affirmations or meditation or anything to help keep you in the right state of mind? 

Jack: Yeah, I think I would benefit enormously from it. And again, I think my story is very typical. But I have tried meditation on several occasions and have found it bafflingly hard. And I am ashamed to say I have, you know, I’ve sort of walked away from it. But, you know, it’s, it’s clearly to my benefit to try it again. I guess this is the word of the day, I aspire to get to that place where I can incorporate that as part of my life, because I have no doubt that it would help every aspect of my life.

Deborah: I’m a great believer in in meditation and yoga. It’s part of my daily practice. And it has made a huge, huge difference. In fact, I started a daily meditation practice, when I knew I was going to be going through a challenging time as a writer. This is about four years ago, when a book was out with an agent, to find a home for it – a publishing contract.  I started doing it then – planning to do it in the 40 days for Lent before Easter. And I’ve carried on, I think about four years into it now, for daily practice. 

Jack: That’s wonderful.

Deborah: When I compare how I was, emotionally, and mentally, at that point – when I was waiting for to hear back about my work, compared to how I am now. All the things you say about letting go and being calm and accepting. I’m totally – I can feel, in that place. And I just noticed such a huge difference.

Jack: Yeah. I guess I would want to drill down on that a little bit. So, like you said, that you’re in a completely different place? And is it that you just feel calmer and more at ease? Or is it something more profound than that?

Deborah: I wouldn’t say – profound, in terms of great spiritual-awakening-type things, to dress it up. It is a sense of absolute calmness. But the greatest thing for me is really being open to possibilities. And knowing that I’m not giving responsibility for my happiness into an agent’s hands or in the outcome. I’m not wedding myself to one particular outcome. I absolutely feel uplifted by the number of potential outcomes there might be. And I truly, truly believe 100% that the right thing will find me at the right time. And I have absolute faith in that. It takes an awful lot away from the anxiety. And I think that positive attitude, and that feeling of well-being, you’re more likely to attract something, just by the fact that if somebody is positive and happy, and not chasing something, they’re more attractive to a person, whether it’s dating or a job or anything. The desperate person, the uptight person has a closed mind and can’t see the wood for the trees. So, I think it’s just practical, you know?

Jack: Well, I think that’s a much better answer than I gave about what you would tell the student in terms of letting go. Yes, absolutely, that sounds wonderful. I hope to get there someday. But yes, I mean, I think that’s exactly it. It’s not living and dying with every rejection. Because if you do that, you’re I mean, as a writer, as an artist, you’re just really asking for it. I mean, I think you’re asking for it as an artist to begin with, right? You know, the odds are stacked against you, in terms of what you can control in terms of, you know, the standardised in normative sense of what success, you know, means. So, if you go chasing after that, and if you go chasing after that doggedly, with only one sense of what constitutes happiness or success, or, you know, and I think, you know, as a writer, and just as a person, if you do that, then you’re bound to be, you know, the irony is, I think the more you do that, the less likely you are to, to get that specific thing, because you’re never going to. It’s never going to be played out the way you expect it to play out – good, and bad or indifferent. You just have to sort of be flexible enough to bend with the wind.

Deborah: So, looking at your journey Jack because often when you look back, you can see oh, that happened. If that hadn’t happened, this wouldn’t have happened. And it all starts to make sense. What has your journey been like? Because as I said, you are successful, and it can’t have always been easy. So, what were the breakthroughs for you that you can look back on and say, ‘Oh, well, I’m glad it happened that way?’

Jack: Again, success is such a relative thing. I mean, you know, it’s there. I’ve been very lucky in many regards, with plays done regionally in and off Broadway, and I’ve a couple, you know, published for sale on Amazon, by the way. 

Deborah: Which I will promote in the show notes (see below).

Poetic Licence and Jericho

Jack: But, I think inevitably, the answer comes down to relationships for me. You know, I’ve been able to meet people and some people fall away, just like you fall away from certain people’s lives. But I’ve been very lucky in cultivating some really good relationships with people who have helped me both pragmatically, but also just grow as a person and as a writer. So really cultivate those relationships, and not let in a cynical’ What can I get out of this person?’ way, but in a genuine form of connection. 

I have had it pointed out to me by a few people who have seen my plays, that a common thread is running through them, because the subject matters differ pretty wildly. But a common thread is – people sort of seeking a community or connection. And I think that’s probably true. It’s never in my mind as I’m writing it. But I think it’s probably true. And I think, especially these days, I think, you know, our culture is sort of, you know, finely crafted to promote alienation. And so, I think that it’s something we all need. And I remember, as a kid, I found that with people doing theatre, or as a musician, when I was in the band, you know, a lifetime ago. But, yeah, it’s always about the people to me, and I think I would, I would give myself this much credit that even a while ago, even at a fairly young age, even if I didn’t know it, intellectually, I intuited that really, the point of things is relationships, and other people. Not that you should become dependent on other people, but that you should be welcoming of other people. And so, yeah, like I said, I think that’s the one key thing for me that I’ve realised over and over again, that inevitably boils down to the relationships you have with people.

Deborah: Excellent advice. I agree. Absolutely, networking is so important, you don’t know who might come into your life that can have a huge influence, and how you can help other people. 

Jack: Yes, has to be reciprocal. I completely agree, and you have to be fine with it, you know, doing something with someone when they have some sort of pragmatic success from it, and you don’t necessarily. That’s certainly happened to me. And you have to sort of let go of that little childish self that says, ‘Well, why didn’t I get some?’ Which very much exists within me, but yeah, I am much happier, when I can be happy for that person. You know, and it’s just a very nice feeling.

Deborah: That’s a really good thing to pick up. Because I think we would be lying if any of us said we didn’t, at some time feel envy for a fellow writer who we wished well, who we loved with all our hearts, but we thought, That’s not fair. And then, you feel awful that you think that’s not fair when you really do wish them well. Feeling why not me? And it’s, as you say, it’s a childlike emotion, because that’s where we are.

Jack: Yeah, that’s where I am certainly. I think it was Gore Vidal said, ‘Every time a friend of mine succeeds, I die a little inside’, which is a little too acidic, I think, for it to be, you know, entirely true. But yeah, we all have those feelings. And I think it’s okay. You know, as I’ve grown up or attempted to, I think, one of the things you learn is that your feelings are going to show up, and they’re going to take whatever form they take. It’s a question of, you know, you can’t judge yourself for that, because there’s a sense of what you’re not, you’re not in control of your feelings. What you can control is what you do with those feelings and what feelings you choose to dwell on and to focus and to foster. That’s your choice. But the feelings themselves aren’t either good or bad. They just exist.

Deborah: When I do my meditation, if I feel like that, I do two things. One, I acknowledge, that’s how I feel and I don’t give myself a hard time about it. I just feel where it is in my body. I can feel it and recognise it’s there. And then I think about that person, wishing them love, wishing them the best and sending light and love. It sounds a bit hippy, but it’s sending a sense of feeling to them that I genuinely want well for them, and then with those two combined, and trusting that there’s a different path for me – and that’s okay. Those two techniques really helped me.

Jack: Yeah. I think that wonderful and it’s down to you, if you can put out that feeling genuinely – out there to the world. To quote someone else – the Beatles said, and  I think it’s very true, ‘The love you take is equal to the love you make.’ And I think really the point of that is – you need to learn to give and feel good and feel love wherever you can find it. And just, again, let go of anything negative and don’t judge yourself for it. You know, everything is transient. Even your darkest feelings are going to pass. Don’t try to label them. And more importantly, don’t label yourself based on what you’re feeling at any given moment.

Deborah: I was listening to something on TV about Julie Andrews’s life, you know, Mary Poppins, My Fair lady? 

Jack: Oh yeah!

Deborah: Well, this is a great true story. I hadn’t really realised at the time but Mary Poppins, not Mary Poppins, sorry, Julie Andrews – she’s just a real person! Julie Andrews had done My Fair Lady on Broadway and in London. And it was huge, huge success. So, when they were coming to choose an actress to be in the film, she assumed it would be her. And of course, it wasn’t.  It was Audrey Hepburn. And can you imagine her disappointment, you know, as an artist, when that happened? How devastated she must have felt? She really believed it was hers. And it wasn’t. And then a few months later, the role of Mary Poppins fell into her lap. And she was asked to do that. Then when it came to the awards, that film and her as leading actress, got more awards than my fair lady. I take from that, when things don’t go the way that you hope they will or expect them to, very often, there’s something much better that you hadn’t envisaged just waiting for you.

Jack: That’s absolutely true. And that’s true of my life as well. In low moments, it’s very hard to see that maybe this is a new opportunity, in that this clears the path for you to go a way and you’ll actually get more out of. I’ve had multiple experiences of that my life. 

Deborah: Yes, me too. And I think the older you get – I’m sure I’m older than you.

Jack: You’re more mature than I am, I’m sure.

Image by Wolfgang Eckert from Pixabay

Deborah: As you go through life, the more experiences that you have that you can look back on. You can use those as a reference point to think, ‘Ah, but when that didn’t happen, X happened. And when that didn’t happen, that happened.’ And you get more and more affirmations that this is the way life can work – is, working for you. And that fills you, I think, with positivity. If you can go back and remember that.

Jack: Yes, absolutely. It’s so hard for me to claim to be committed. It’s so hard for me in the moment, where I’m expressing or experiencing disappointment to, to remind myself of that, but it is vital to do that. You’re absolutely right.

Deborah: It’s a journey. We’re all a work in progress.

Jack: Yes. Very much so very much. 

Deborah: That’s why the journey is so interesting.

Jack: Yes, that’s right. I won’t pretend this is an insight of mine, it’s pretty much common knowledge. But, you know, suffering is awful, it’s why they call it suffering, but it’s also imperative that you have it without that you wouldn’t grow in any way. I suffer a lot from depression, and I don’t recommend it to anyone, if they have a choice. But having said that, I also have to, in my less desperate moments, realise that it’s actually been a pretty, a very strict and mean, but very good teacher. At times, I think I’m a lot more empathetic than I would have been, had I not had those feelings. I think, whatever abilities I have, to whatever degree I have them, have been sort of sharpened I think, by that experience. I mean, certainly, I don’t think I would have been a writer. And I certainly wouldn’t have been, you know, as however good or bad or I may be, I wouldn’t have been able to reach the potential I’ve reached, you know, to whatever degree that may be without that suffering. And so, I think it’s you have to accept, you know, the yin and the yang as they say.

Deborah: It’s a really good point to make. Thank you. How would you like to be remembered?

Jack: Well, if I’m remembered at all that would be a little surprising for me. I think ultimately, you know, I mean, cliched answers are really cliches for a reason. I really want to be – I have two children who mean the universe to me. And so, I want to be remembered by them, as someone who loved them and did his best even when he – you know, although I am far from perfect father, but that they knew that they were loved and that I love them. And then, beyond that, I would love to be thought of fondly by my friends and most of the people whose lives I’ve been in, that won’t be 100%. But it’ll hopefully it’ll be nice. And then maybe if in my small, totally unverifiable via data way made the world just made, like a half a centimetre nicer, you know, slightly, slightly better than when I showed up. 

Deborah: I’m sure you’ve already done that, because my favourite film is, It’s a Wonderful Life.

Jack: Oh, that’s a beautiful one. The day, I don’t cry at the end of that movie is the day I really need to worry about myself.

Deborah: So, I’m sure you already touched a lot of lives through your plays and your work.

Jack: Well, that’s very kind. Thank you. Then of course, lastly, I would love it if a play or two of mine survived into the next generation, but ultimately, I won’t be around. So, the most important thing is to just, you know, be as kind as you can be, as often as you can be. There are days in which the bar for my ability to be kind is pretty low. So that varies, obviously, but I think that’s our main job – to try to be kind. When I was younger, I really valued talent and intelligence. And it’s not that I don’t value those anymore, but I place a lot more stock in than just being a good person, you know, a nice person, which sounds idiotic, but I think it’s true. I mean, I think being proud of, you know, your intellect, for example, is like being proud of your blood type it is sort of an accident of birth. But kindness is something you have to work at. 

Getting back to our earlier point about what do you have control of, you don’t have control over a lot of things. And you don’t really have control over your talent to a degree. I mean, you can work at it and shape it, and I think you should, but you don’t have control to a degree in your intelligence, for example. But you do have control in how kind you are, and how you treat other people. So ultimately, I think that’s what I respect that, more than anything.

Deborah: Again, this is probably a cliche, but when I heard it, which wasn’t that long ago, for the first time, it had an impact on me. I was at a funeral. And the celebrant said, ‘It’s not what we have achieved, but what we have become that’s important in life.’ And I thought that was so true.

Jack: Yes, that’s really wonderful. It’s far better than I would have come up with, but I think it’s so true. And I think that, you know, in life as I get older, I think that most of life is a verb as opposed to a noun. You know, it’s about acting, whatever way you want to, but acting in the best way you know how for yourself and for others, rather than just thinking things will come to you or thinking things are facts – unalterable and permanent. You know, it’s about, it’s about trying to do these things that matters more.

Deborah: I nearly said, ‘absolutely.’ And I’ve noticed when I’ve been editing my show notes, I say absolutely too much. Absolutely.

Jack: Well, good. Good. I got a couple of them out of you so I succeeded today.

Deborah: Great. So finally, what words of wisdom would you impart to your younger self, when you go back to when you first started out writing and you felt overwhelmed by what you wanted to achieve and where you were? Looking back, what would you say to yourself?

Jack: Well, I would say to myself, and I think is what I would say to myself today, and will say to myself tomorrow, which is much of what we’ve been talking about is – ‘Just do the best you can do and don’t worry so much about the other things.’ 

Everyone would always like to have accomplished more materially. I certainly would, I’m not ashamed of saying that, but and I haven’t accomplished nearly as much as some and I’ve been fortunate enough to accomplish in the material sense, more than other people. Although, again, at the same time, you also have to realise a lot of it doesn’t have to do with you, a lot of it has to do with luck, and it’s not really necessarily in any way a definitive quantification of your abilities. 

You just have to do what you can do and try and enjoy the relationships and just enjoy the work as much as you possibly can, even when – this is gonna sound ridiculous, but even when it’s not fun. You should still enjoy it as much as possible. And, again, do everything you can to succeed materially, but don’t use that as the arbiter of whether or not you’ve succeeded or failed.

Deborah: Those are great words of wisdom. Life goes by far too quickly for us to waste our energy being unhappy. 

Jack: Yes, absolutely. Now I’m saying it now. You’ve started a trend.

Deborah: Brilliant.

Jack: It’s your catch phrase.

Deborah: (laughs) I’ve really enjoyed talking to you Jack Canfora.

Jack: Likewise. Thank you so much for having me on.

Deborah: It’s a pleasure. So, I will give links to your work in the show notes. 

Jack: Please do. Thank you so much. And again, it was such a pleasure talking to you. A lot of fun. Thank you. 

I really appreciate Jack’s honesty in talking to me about disappointment, envy, and suffering because we all experience these feelings at some time, even the most successful of writers. It is what we do with them that makes us stronger and better – both as a person and a creative.

Since chatting with Jack he has told me about an audio play that is going to be released on all podcast platforms in October, called Step Nine. You can find out more by visiting his theatre company’s website www.newnormalrep.org. I recommend you subscribe to New Normal Rep’s YouTube page, which has lots of amazing free content, including an online production of Jack’s last play Jericho, directed by Marsha Mason. 

I will be away on a writer’s retreat before we next meet. I’m so looking forward to spending a few days hidden away in the wilds of Norfolk with my writer friends, where I intend to lose myself in my WIP. When life gets this busy I have to remind myself that I love everything that I do and try to enjoy each moment instead of fretting over getting everything done!

Please check out The Forever Cruise available for pre-order on Amazon for just 99p/99c until publication day on 1st December. 

So, until we meet again look after your beautiful self, and trust the journey.

You can find all episodes of The Mindful Writer podcast here: https://themindfulwriter.buzzsprout.com

Don’t forget to subscribe so you don’t miss any episodes.

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How to overcome obstacles or a setback

In this week’s Mindful Writer podcast, Kamina A Fitzgerald author of Class Dismissed: Life Lessons and Short Stories and her blog of the same name http://schoolspiration.com joins me to talk about three bible stories which have important lessons for us as creatives. 

I went for a run by the sea this morning. The sun was shining and the was tide out. There was even a shard of rainbow suspended between an arc of clouds. Whenever I go for a run by the sea, I get so many ideas and find clarity on some of the things that have been troubling me. It’s as though I have a conversation with my inner self or a greater power.

Anyway, on this morning’s run I was thinking about a film I watched on Netflix this week, Paycheck with Ben Affleck. It is an exciting thriller, but it also has a message: When things don’t go the way you planned and you are disappointed trust that God or the Universe has a better plan for you. Follow the signs even when you don’t know what they mean. Of course, the film makes no mention of this but I drew a parallel. If I tell you anymore, I will spoil the film for you. It’s well worth watching – very exciting.

Stories have been used for thousands of years to pass on wisdom and learning. In today’s podcast, Kamina Fitzgerald, reminds us of three stories from the Bible which have powerful messages to help us on this writing journey. 

dkauthor@btinternet.com

Now on to the interview ….

Kamina Fitzgerald

Why should we be patient when the Universe or God seem to be taking too long to manifest our dreams?

How do we overcome obstacles or move forward when we feel stuck?

Why is it important to nurture, cherish and protect our talents – our special gifts?

Kamina explains all of this using three bible stories. The messages are inspirational and have helped me on this writing journey.

A transcript of the interview is below, or Click here to listen 

Deborah: Hello, Kamina Fitzgerald. I’m absolutely delighted to welcome you to the mindful writer podcast, because I discovered you through reading your blog posts. The School of Life Sessions. I love the way you introduce them with, The school bell has rung …

Kamina: Hello, Deborah. It’s a pleasure being on your podcast today. And the main way I start my blog is The class is now in session. And then at the end, I will say, The school bell has rung, class is dismissed. 

Deborah: Excellent. And that comes from the fact that you are a teacher by profession, and currently the vice-principal of a business school?

Kamina: I’m vice principal of a middle school here in North Carolina, and I was a business teacher. So, you are correct. And so, I look at not only teaching as being – teaching the lesson, but also teaching life lessons. So, my blog is really centred around sharing those stories to motivate and inspire. And I look at it as a lesson – everything that I write.

Deborah: And you’ve also written five books about life lessons, for which I will give links in the show notes. Could you tell us a little about them?

Kamina: Okay. Well, mostly the first book I wrote was a children’s book called Bumper Stucco Village – Patience as a virtue. And I wrote that a long time ago. It has kind of a Disneyland feel of a girl who is going to be promised to someone. And she was worried about that because she wanted to marry for love and she met someone and wished she could marry that person. And at the end, she gets a chance to, so it was kind of a story. If you want to read it; it’s interesting because she thought she was going to lose out on that opportunity, but through being patient she ended up getting the desires of her heart after all. 

I’ve also written inspirational stories. They didn’t have much rhyme or reason. I guess they were more about friendship, life, managing your careers, choosing your career.

I write a lot of career focused things because I used to be a workforce development person, where I tried to help students understand their career choices and what they needed to go to university to make that career happen. So, some of my things have a lot of helping you make decisions on the career front as well.

Deborah: I got so excited, which is why you paused. Because you could see that I was desperate to say something.  When you were talking about the first book, the fiction book for children, you mentioned a story about how the girl had to be patient and wait. That made me think of one of the blogs that you wrote that really inspired me, which was Do not go ahead of God.

The stories in the Bible teach us lessons through stories. And that that’s very interesting that you’re using a story as well, to give a similar sort of message. Now I’m a very impatient person by nature. And I can think of several times in my life where I have gone ahead of God. I’ve jumped in being too impatient – I’ve got to make things happen. My good fortune in life has come despite me. I mean this a classic example for me. It was when I desperately wanted to be an occupational therapist when I was at school, it’s all I ever wanted to do. And when I got a letter from the clearing house saying, we suggest you seek another career – because I wasn’t studying the right subjects and didn’t have the qualifications, I thought, Right. That’s it. So, I left. I got a job in an insurance company and then eight or nine months later, I got a letter inviting me to interview for my college and I didn’t have the qualifications. 

Kamina: Wow. 

Deborah: I’ll let you talk in a minute! But the good result from that – a little miracle did happen for me because I went for the interview really enthusiastic and said, Oh, you know, I really, really want to become an occupational therapist. And they said, Well, if you go away and you pass these exams. Would you come back next year?  And I said, Yes, I will. And something went wrong with the administration because a week later I got a letter saying, As you have now got these qualifications you can start this September. 

Kamina: Oh, wow. 

Deborah: And I never told them, but that was when the rules were different and I’ve been on the right path, despite me jumping in.

Kamina: Wow, that’s amazing that it ended up happening anyway, even though you tried to you know, plan it yourself. That’s the graciousness I think of God, that sometimes we have a tendency to jump ahead and he still lets us get what we want. 

Deborah: Anyway. Tell me about the Bible story that you used in your blog. 

Kamina: Sure. So, with the Don’t get ahead of God story, I was referring to the five promises that God gave Abraham when he was promising to, you know, make him a great nation and give them a great land of promise. And it was certain things that he promised him. And Abraham was a person of faith and he, he believed God, even if it seems as if he was delayed. But Abraham’s wife, Sarah, she, you know, wanted to help things along. Especially when it came to her being a mother, she I believe was around 99 years old when she got pregnant.

So, of course we all can think that, she could be a little worried. Okay. I’m going to be a mother of many nations, but I’m 99. So, she thought maybe she can help God along. And it caused a lot of heartache when she tried to do things herself. So, I just talked about waiting on the promises of God. Just from us reading those stories, hopefully it can encourage us to just continue to be patient and to wait. Because it’s worth the wait whenever you’ve got promises for things in your life. And sometimes, even with Sarah and doing that in spite of herself, she still was blessed with Isaac. So, you know, I think that that still happens for us today.

Deborah: Like me. I tried to sabotage, but despite me, I still got what I needed.

Kamina:  Exactly. So it still happens even now. And I’ve been the same way with several different occasions where, you know, I would try to make things happen, but then when I’m praying about it and something better comes along, it makes me happy because even though what I did may not have worked, usually God can open a better door for me. So, I’ve been grateful for that. At first, you’re disappointed, but when something else better happens, you’re like, wow, I could have just waited on this instead of trying to force the other situation.

Deborah: Absolutely. I found that as well. And what has absolutely amazed me, particularly when I was about 40 years old. I was pushing myself along a career trajectory. You know, next job was chief executive and was applying for these jobs. And I thought that’s where I need to go. And I was completely stuck in that thinking that mindset, so I was disappointed and disappointed repeatedly. What ended up happening was something far better and greater than I could have imagined. That was much, much more in fitting with what I could give- it fitted me. It was the right path. And I would never have been able to imagine that in a million years it was, it was wonderful. A wonderful blessing that came my way, taking me on a different path.

I think sometimes we can get so frustrated, can’t we? We think, well, why won’t you give me what I want? Why? Because we don’t know what we don’t know. 

Kamina: And sometimes, like you said, it’s amazing how another opportunity will come and it’s so perfect for you and you never imagined it. That happens a lot too. So, I think if, you know, that can happen, then maybe that’ll make you more patient. Because that has happened to me before too, where God knows you better than you know yourself. So, you can say, Why didn’t I get that job? I was trying to move up or I tried to apply forward. I’m qualified. But then another door can open that you did not perceive could open. I think that is always amazing when that happens. 

Deborah: Absolutely. And timing. I mean, God’s timing, isn’t our timing. I say, God, but I’m going to say God/ the Universe, because some people have different sorts of faiths and it doesn’t matter whether you believe it’s the Universe or you believe it’s God. It is having that faith in a greater power. But the timing could be very different to what we think the timing should be. 

Kamina: Very true I’ve actually been reading this in a research study I was doing about the Kairos time and that being a divine time. When I was younger, there was a pastor who wrote a book about God’s appointed time and it was talking about the Greek word Kairos. We know in chronological time, it is like, you said, In two more years I need to be here, in three more years I need to be there ….  But with Kairos there is an interruption when you know, I’m looking with tunnel vision and then this certain situation happens out of the blue, and I couldn’t even imagine it happening, but it’s perfect for me, or is causing me now to have to make a decision or see things differently.

So, it’s amazing. I believe there really is a such thing as a divine time that happens that interrupts your trajectory of your goals for yourself, and then you have to decide: Am I going to keep going on the path that I have for myself, or am I going to step into this possible opportunity that I didn’t perceive happening? 

Deborah:  To do that, you have to be open to opportunities and different solutions. If you get really wedded to one option, This is the only way for me. You don’t see other things along your way. 

Kamina: That is so true. 

Deborah: There’s a message there, especially for writers who are trying to get published. Because the reason that I launched this podcast is because of the emotional turmoil that authors go through as they try to get published. It’s a rollercoaster of emotion for many writers, who are trying to get published, get turned down by agents, and they’re trying to cope with rejection, and the frustration of that. It’s knowing that sometimes you have to go through that for a reason. And one of the reasons can be that your writing hasn’t matured sufficiently for you to be able to give your best. It might be good enough. It might be better than many other writers, but it might be that if you give yourself time to grow what you gain to finally bring to fruition is much greater. And that might be where you need to start, because otherwise you do yourself a disservice. So, there’s all sorts of reasons why things might be. And we get so hung up on feeling it’s a judgment or a criticism of us and letting it affect our self-esteem, but there can be all sorts of reasons why you need to wait.

Kamina: Yes, I like that. And that’s very encouraging for you to say that because a lot of times you can think that you’re ready for something or that you are at your best when really, you’re not. And a lot of the times you won’t stretch yourself if you’re not rejected. I think growth happens a lot when you are rejected, it just depends on how you interpret it and what you do with it. So I do like what you just said, and I think that should be encouraging for, you know, most of the writers or artists or anyone who is, you know, setting goals for themselves who have been rejected to just don’t look at it like it’s a rejection. Look at it as a growth opportunity for yourself to be better. And maybe that persons rejecting you and then the next person is going to see your work and it’s going to work for them.

Deborah: It’s a bit like people waiting for the perfect partner, the younger people who want to fall in love. I think falling in love is a bit like finding an agent to represent you or a home for your book. The person is out there. You just haven’t met them yet. You might not meet the one that’s the perfect match for you because they might not be ready to meet you yet because there’s something else going on in their life. 

Kamina: Exactly. They may have to have a person to break up with or something. 

Deborah: Or they might be about to become an agent, but they’re not an agent yet and you’ve got to wait for them. 

Kamina: Yeah. It was like, Don’t get ahead of God now or don’t get ahead of yourself. Just wait until it is all aligned, then you’ll be glad you did. 

Deborah: We are all part of something bigger, everything has to be in place because it’s not just about us. It’s about the people who come into our lives and being the right time for them as well as.

Kamina: Exactly. I agree.

Deborah: Now this goes onto another one of your very inspirational posts where you talked about Jesus telling Simon to cast once again, his net into the sea. And I should get you to tell us a bit more in a moment, but it, it makes me think about when somebody says to you, Have you tried this? Have you tried that? And you think, Oh, don’t tell me that, I know better than you. But sometimes that’s what you need to do. You tell us in your own words. 

Kamina: Okay. Well, with that story, I was referring to when Simon Peter had been fishing all night and all day, and he hadn’t caught anything and anyone who knows Peter, he was a professional fisher. He was a fisherman by trade. So, he knew everything that you really need to know to fish. So, when Jesus walked up to him and said, Go out further, launch yourself out into the deep. Simon Peter was really annoyed and kind of like, What do you know? You’re telling me and this is what I do. And of course, Jesus was a carpenter by trade. So, he was a little annoyed, but he said, Nevertheless, at your word, I’ll go do it. And he did it. And he had so much fish that he couldn’t contain it in the net. 

So, it’s a lesson to me that we have to make sure that we make decisions not based on what we’re comfortable with, that we don’t make decisions based on our, I guess you could say study, or maybe what we know, but be open to other suggestions, especially if what you’re doing isn’t working. I think that’s the main thing. Because no matter what I do every day or my professional job, if it’s not working, I should be open to a suggestion or reflecting, Hmm. Maybe I should try something else. So, I think that was kinda my thinking was to just be mindful of, you know, for me spiritual counsel and being willing to hear other perspectives.

Deborah: And isn’t it interesting that you can get these suggestions or these little directions, the most unlikely sources and unexpected times? If you keep your mind open and you hear and you respond. It could be something that you read. It could be a stranger saying something. It could be, it could be anything.

It brings to mind when I was working as a management consultant and I had lots and lots of work, then suddenly the work dried up. I kept on going out to try and find work you know, bidding for work. It wasn’t happening. I was so frustrated. And then somebody who I had worked with in the past, who had had no contact with me for a long time sent me an email out of the blue saying, Have you seen this advert? They’re looking for a chair of a safeguarding adult board in a London council. And I thought, Well, why would I do that? I don’t think I’m qualified. I wouldn’t even think of doing that. I did. Not only did I get that job, but it then led into a ten-year career around adult safeguarding. I chaired five different boards. I wrote safeguarding adult reviews. I became an expert on it. I wrote journal articles.

It was absolutely where I was, where I needed to be. But if I hadn’t listened to that woman who happened to say to me, Have you thought about? And I sometimes think that these people are put there like little angels.

Kamina: That’s exactly what I had. What I read in my book about the Kairos moment. It was just like that.  You’re looking, things aren’t really working. And then one little word or sentence or suggestion can just turn you upside down and it gets like:  What? That’s nothing I’m qualified for, but like you said, you actually adhere to the Kairos moment or the divine appointed time and, and they opened up a whole other career level for you. So that’s amazing. 

Deborah: Interesting. I picked out three posts, which I told you in advance. The other one was, I’ll get it right this time, Samson and Delilah.

Kamina: Okay. In that one, I’ve talked about the spirit behind Delilah. I shared a lot of her characteristic traits that I pointed out: A person who looked good on the outside; a person who was very cunning and complimentary and flattering. Just the traits of who she was and how she led Samson to finally share his secret.

It just really stood out to me. So, I just wanted to talk about those traits because I think it’s still around today that a lot of us can think of times where we have been deceived by people. We never would have seen deceiving us. It’s just something, a lesson that I think even a child or an adult can learn from just to be mindful of people in your life. When people come in, you know, come around you that you’re not deceived. It is more so a story about deception and just being, being careful about that in your life. Delilah  looks good on the outside and said all the right things. 

Deborah: You were saying in this story that again, and again, Samson would catch her out and see that she was trying to cut his hair but he saw only what he wanted to believe. I think it’s the way that we fool ourselves, because if we want to believe something, we ignore all of our instincts. Just as I was saying that we need to be open to hear things and see things – in the same way you can completely close off if you only see what you want to believe, can’t you? You can completely close down.

Kamina: So true. I think that, you know, I can definitely remember times where I saw what I wanted to see. And you may have a family member or a good friend that are trying to tell you, Be careful. You know, do not see this. And it’s amazing how we can trick ourselves. Even if you read my blog, you may still fall for it. So, you know, I mean, Samson was, was smart and he was anointed and, you know, he destroyed so many of the Philistines, but this one person came in his life who looked good on the outside, and he liked her so much he was willing to lose everything for her. So, I just think it’s important that we regard ourselves as well, because we all have something that we can offer the world. We have gifts and we have to be careful. Just be mindful that not everyone is your friend or means well for you.

Kamina:  Other people suffer.

Deborah: Absolutely. We have special gifts. Every one of us is amazing, unique and not to give all of that away, but have self-respect and belief. You owe it to others as well as to yourself to nurture, cherish, and protect those special gifts that you have so you can use them. And when we give it all up for somebody who’s not worthy and we don’t listen then…

Deborah:  Absolutely. As well as ourselves. 

Kamina:So true. 

Deborah: I always like to think the best of people. I always see the best in them. And I can think of examples like that because it breaks my heart to think that somebody has let me down who I’ve trusted. So, I go back to trusting them again.

Kamina: Yes because it’s a bad feeling to get to a point where you don’t trust anyone, you know, that’s a terrible thing to feel like I can’t trust anyone because I’ve been hurt. So, we usually try to see the good and isolate that bit whenever we have been hurt or deceived by someone. You know, we’re human.

Deborah:  I found it so inspiring talking to you as I do your blogs, and I’m now going to be looking at your books as well, which I’ve discovered.

Kamina: Thank you, I’m inspired by you. I didn’t know, you know, your story. So, I think that you’ve inspired me as well, especially since I am still in my career and trying to work hard and eventually get to the point where I can be like you.

Deborah: Oh, thank you.

Kamina: It made me feel better to know that I need to be open to suggestions and make sure that I’m not just seeing things through one way or through having a tunnel vision about things.

Deborah: Excellent. Thank you. 

Kamina: You’re welcome. Goodbye. 

You can find all episodes of The Mindful Writer Podcast to play on your chosen podcast here: https://themindfulwriter.buzzsprout.com

Don’t forget to subscribe so that you hear when a new episode goes live.

How to manage Imposter Syndrome and Shifting Goal Posts as a Creative

With Jessica Redland

I am excited to introduce the first episode of The Mindful Writer podcast.

Before I introduce this week’s podcast with guest Jessica Redland, let me update you on my writing life. 

The past few weeks I have focused on preparing this podcast and blog post. I’m afraid poor Jessica is like the first pancake out of the pan. I had the idea for The Mindful Podcast several months ago but to be honest I was afraid to make the leap and have a go. I have had some experience of recording podcasts as last year I recorded Castaway Books. However, this venture was different as I was going to ask creatives to share their emotional and spiritual experience of the writing journey. 

When we get an idea that won’t go away, I believe we need to follow it and see where it leads. Moving outside our comfort zone is healthy as we are learning new things and opening ourselves up to new opportunities. So, I pushed myself to follow through with the idea. I was amazed by the incredible writers who came forward and the honesty of their stories.

Learning to use new software was a huge challenge for me. I’m not there yet but I’m learning and I hope you will excuse the occasional blips as I get more proficient. I was striving for excellence but had to accept this is the best I can do for the first attempt – having spent many hours/days trying.

Although my recording and editing techniques may not be great, the interviews with guests are truly inspirational. I learnt so much from each and everyone. These conversations have lifted and inspired me. I hope that they do the same for you.

What are you working on now? How have you pushed yourself to try new things outside of your comfort zone? Please drop me a line with your news as I would love to hear from you.

dkauthor@btinternet.com

Now, let me introduce this week’s podcast.

From struggling Indie to a best-selling author with two 12-book publishing contracts, Jessica Redland shares the highs and lows of her writer’s journey:

  • How she found time to write eight books as an Indie whilst working full time and raising her daughter.
  • How she coped with the transition to a full-time author with what others might perceive to be overnight success – experiencing Imposter Syndrome and continually shifting goals.
  • The words of wisdom that she would have shared with her younger self when she was struggling as an Indie author to sell her books and questioning, ‘Why do I bother to put so much emotion and energy into my writing when I sell so few books?’

I was inspired and motivated by Jessica’s journey. She really does prove that you should never give up on following your dreams.

A transcript of the interview is below click here to listen.

Links from show:

Jessica refers to a mini-series on Imposter Syndrome she posted on her blog.

This is an excellent series, well researched, informative, and helpful. I recommend you find time to read through all five starting with part one dated September 21st 2020 here: https://jessicaredlandauthor.com/2020/09/

Jessica ends the interview by reading a poem that she wrote several years ago, before experiencing the success she has achieved in recent years. 

Jessica Redland

Transcript of Interview with Jessica Redland

Jessica Redland is the best-selling author of fifteen novels including The Starfish Café, and Hedgehog Hollow series. 

Deborah: Hi, Jessica. It’s an absolute pleasure to chat with you today because as you know I’m a big fan. I love your books and you have been an inspiration to me through your writing journey. And that’s why I particularly wanted to talk to you so that you can share some of your wisdom with our listeners. 

Jessica: Hi, thanks for having me.

Deborah: So, Jessica, you are a prolific writer. You’re an author of 15 books today. And in 2020 you became a full-time author with many best sellers in the Kindle charts. This phenomenal success came after signing a 12-book contract with Boldwood Books and I understand you’ve signed another 12-book contract since.

So, goodness me, we’re only in 2022 and you have been contracted to write 24 books, which is absolutely incredible. You were a finalist in this year’s Romantic Novelists’ Association for romantic novel of the year with Snowflakes Over the Starfish Café. 

Jessica, these are incredible achievements, very well-deserved. As I say, I love your books and I have great admiration for you, but you didn’t achieve overnight success.

Jessica: Definitely, definitely not been an overnight success, quite a long journey and five difficult years to get where I am now. So, the starting point was very much me joining the Romantic Novelists Association RNA New Writer Scheme in 2012. That gave me a push to finish my first novel. I put that through the scheme twice. And then, at that point, I put that out four rounds of submissions to a mix of agents and publishers. The submission process is challenging because everybody wants something different. And, of course, you are dealing with the rejection side of things, although I tend to see it as a process, so they didn’t hit me too hard. I secured a publishing deal just under a year after I started submitting and thought, That’s brilliant. This is it. Got it made. But then I started to have doubts about that particular publisher and the direction they wanted to take my writing.

I was seriously thinking, should I go Indie? But then another publishing deal came along that felt a lot better. I accepted that one and started working on my edits. My very first book came out in spring, summer 2015. That publishing company was new and if they had been able to match their enthusiasm to their ability, things would have been brilliant, but unfortunately, they struggled to make an impact. After about 18 months with them, we parted company because the publishing house was going to cease trading. So, I got back the book rights for my trilogy. Then, I had to kind of panic design the covers, and get them out there as Indie. To be honest, they tanked. That was really hard – starting back at the beginning. 

I wrote a brand new book, brought that out in March, 2017. That didn’t do well either.  I kind of went into a few years of being a struggling Indie. Pretty much, no sales, certain points where I did okay – a couple of Christmas books that did well.

Then, in 2018, I realized that that things were going to need to change and decided to start submitting again. I was very selective as to the companies that I went out to. I got some kind of close, close calls, but didn’t quite get there. It was really, really devastating because at this point, I’d written eight books. knew I could write, had some good feedback, but they just weren’t what the publishers wanted.

Fortunately, in February, 2019 Boldwood Books opened for business. I submitted on their very first day and the rest is history. I got a book deal to take on new books plus my backlist and it’s been absolutely phenomenal. It changed my life. 

Deborah: Fantastic. So, how did you manage to be a prolific writer whilst still working the day job? 

Jessica: I’m now self-employed and my husband has been all along, so he’s understood that when you’re self-employed you often work erratic hours. You often do need to work evenings and weekends. He’s a type setter, so he lays out pages of textbooks, and plays, and journals, and things. He works when the customer needs him to work.

If something comes through at six o’clock in the evening saying, ‘We’re going to print tomorrow. We need these edits,’ he will get on with it. And so, he’s very much understood and accepted my working life. We often have some time during the day with both of us working from home. Sometimes we go out for lunch together. 

When my daughter was very young, I did my writing when she went to bed.  At the weekend we always try to have at least one family today together. So even if I write and do things on the other day, there is this one day of devoted family time.

Deborah: I think that’s important – structuring your time. I’m in the position of being semi-retired. My husband gave up work when our daughter was born and so he’s at home too. I’m aware of when I’m not spending much time with him and then I actually compartmentalize time for him.  I mark out in my head certain periods of the day, for example, we might go out for breakfast or there’ll be something we do in the afternoon. I ring fence about three hours of my time for my husband and then I’ve got a good five hours of time, which is for me, for my work. 

I learned something when I was a mum and working full time. I think lots of mothers go through this. If I was at work, I felt guilty I wasn’t with my daughter, and if I was with my daughter, I felt guilty that I wasn’t at work. At that time a very wise woman said to me, ‘Give a hundred percent to what you’re doing at that time.’ And that was it. That was the lesson I learned. So now when I have time with my husband, go out for breakfast, or drive, or just doing something nice together, I really make an effort to give a hundred percent of my attention to him and not have my mind working on a plot or something else. It was a good lesson to learn. When I’m at my computer, I’m working with complete focus. There’s no housework. There’s no listening to anyone else. I completely switch off the outside world. 

Jessica: No, that’s great advice that is, definitely. If I’m downstairs with my husband and we are watching TV, or a film together, I tend not to take my phone down with me. I’ve never been a phone obsessed person, but that means that I’m not checking anything. I’m not seeing if I’ve had any emails or notifications. I’m not nipping on Facebook. So, even if it is just watching TV or a film, it is time together, away from the tools of the trade. 

Deborah: It’s important for two reasons, isn’t it? For your own self-care that you switch off sometimes from work and also to show respect for somebody who’s important to you. 

There’s something else I want to ask you because our time is limited and there’s so much, I want to get from you. I would like you to tell me about five blog posts you wrote in a series about Imposter Syndrome, which I found fascinating. I’m going to give links in the show notes to this because it’s very relevant for the mindful writer. I just wondered if you could spend a little time talking us through what Imposter Syndrome is from your experience of it and your coping mechanisms.

Jessica:  I wrote the blog because I found that in 2020, once I heard, and I’d got my first contract with Boldwood that I was experiencing this.  I’d had a new book and four of my backlist books released. I was loving, being a full-time author; that had always been my goal. But I was getting myself, worked up about certain things and I identified that as being Imposter Syndrome. So, I took a little bit of time out looking into it because I thought if I really understand how and why it manifests itself, then I could find ways of coping with it. 

I’ll read a quote from my blog. This is from Gail Corkindale Harvard Business Review  in 2008. She says ‘It’s a collection of feelings of inadequacy that persists despite evident success. Imposters suffer from chronic self-doubt and a sense of intellectual fraudulence that overrides any feelings of success or external proof of their competence.’

So, it’s basically at a point that somebody has achieved some success, and they think that they’re going to get found out. They think that they don’t deserve to have got that success. They’re not good enough to have had that success. It’s not about self-confidence, that’s something separate, but it is about self-doubt.

I was suffering massively from this – this kind of feeling that somebody was going to tap me on the shoulder and say, ‘You know, those top one hundreds that you’ve just had? You’re not – you’re not all that, and you can’t really write. And you’re not going to be able to continue that success in the future.’

So, I did quite a bit of thinking as to where that comes from and why it happens. It was really fascinating understanding the typical triggers for somebody having Imposter Syndrome, particularly for me, because I’m actually a really confident person. My day job was as a trainer. I’m used to standing in front of audiences capturing people’s attention.  I’ve presented to audiences of a thousand plus before, so the idea of public speaking, that a lot of people are terrified of, was no problem whatsoever for me, but I was thinking, why do I feel like an imposter? 

It came back to some issues in the workplace and being passed over repeatedly for promotion. And, you know, I knew partly why, it’s because I didn’t play the politics game. I’m somebody who believes in progressing on your own merits. I therefore had to be so much better at my job to prove my worth for any promotion than somebody who did play the game. And it just became this thing. Like I just had to prove myself constantly: always trying to be a perfectionist, always striving to do better.

It even got to the point that New Beginnings at Seaside Blooms really, really, took off and it got as high as number 14 in the Kindle UK chart, which is just absolutely phenomenal. I started beating myself up that it hadn’t made it into the top 10 and I just thought, What is going on in your head?

Before I got my deal with Boldwood to get into the top thousand – top 10,000 even, would have been a dream come true, but your goals shift and that’s natural, but mine were linked to Imposter Syndrome. I was looking at other authors and comparing myself to them. We’re all on a different journey.

It’s really not worth comparing yourself to anybody else. But I kept thinking, Boldwood are going to regret signing me. Then, when I got my second book deal for another 12 books I started thinking, Oh, we’re going to get so far into these and then they’ll go – Do you know what, we’ve made a mistake? Can we just knock 10 off and just make that another two and then let’s part company? 

It was really taking away from my enjoyment of – basically, a dream job. I had got everything I’d wanted: to be able to write full-time, and to have a supportive family but I couldn’t live in the moment. I couldn’t enjoy it. I’m not the sort of person who gets anxious about things, and so this didn’t sit with my personality, but I could sometimes just stare at my computer screen. I couldn’t write. I couldn’t write anything. Now, I can absolutely trace it back to Imposter Syndrome. Once I’d understood where it came from, how it displayed itself, I could then look at things I could do to change how I felt.

Occasionally it might just pop its ugly, head up and I’ll give it a little slap and it disappears- than all is good in the world. But it really, really stopped me in my tracks in 2020. It was quite horrific, so I completely understand anybody going through it and hopefully the blog post if anybody does read it will help. It’s long, but it really breaks it all down – all the different ways Imposter Syndrome manifests.

Deborah: It’s an excellent blog post and I recommend people read it. As I say, the link will be on the show notes. I wonder why we all do that to ourselves? Every attribute that we have has a positive and a negative side doesn’t it? So, the same thing that pushed you from being independently published, all the books you’ve produced and then getting your contract with Boldwood that is the positive. The flip side of that is the same thing that drove you to do better and better is still driving you to say, It’s not good enough. It’s not good enough. You’ve got to do better. You’ve got to do better. And we never stop to just enjoy and celebrate our success. To say, I’ve done a really good job.

Jessica:  No, we don’t. It’s funny because we’re continually shifting goalposts, We don’t pause to say, wow, I’ve met one. I’m so proud of that. Take a little bit of time out, celebrate that success. You just immediately think – What’s the next one? 

Before I’d thought massively about having imposter syndrome, I was aware of it as it would come up in other ways, but not really before I achieved success as an author.

I wrote a poem some time ago, which is also a blog post about shifting goals. It starts off with the idea of wanting, just to write a book, see if you can, and then to write more than one book and then it’s, I want it to be in this chart position. It goes through all the goal shifts: ultimately wanting movie deals, and all sorts of things. You have to take yourself to what is the original goal. I often say this anytime I’m having a conversation with an author friend who is struggling a bit because we all do. And it’s – Go back to – what was the goal that you started off with? And if that was, like me, you just wanted to write a book and then you wanted to become a writer and write full time then you’ve already achieved that. Anything that you achieve over and above that is an absolute bonus.

I look at all of the chart positions, the sales, they are bonuses. I earn enough to write full-time and that’s all I ever wanted out of it. I keep reminding myself of that goal. 

Deborah: I think there’s two different things that drive us in in what you’ve been talking about. One is looking for recognition: where you are in the charts, getting that feedback, that is perhaps the unhealthy aspect. I think the positive is: I want to do this and now I’m going a bit further – pushing myself to achieve. Because I see that as following a dream in your heart.

I always say there’s a seed sown in your heart. It is from your soul and you are compelled to follow. When you listen to that inner voice it can take you on the right path and journey for you to become your true self and fulfil your potential.

That’s the positive aspect. The negative one is all of those voices, those goblins in the head – the Thought Goblins: You can do better. She’s doing better than me. Where am I in the charts? It is about trying to silence that voice. 

Jessica: I now refer to that and other people do as well me, as being the noise. It’s not my term. It’s all that noise around you. And, and the thing is if you were to look at another author who has got a book, say at, number 10 in the Kindle chart, that’s not reflective of everything. They may be number 10 because there’s just been a promotion at that moment. It may be, because their price is different. It may be that they’ve just gone into prime reading. And it may be that whilst they get that higher position, they drop out the charts faster and long-term don’t sell as many copies. There’s just so much influencing this that you can’t put much stock in a chart position.

There’s also, if we’re talking Amazon, algorithms that with the books that are part of their own publishing houses will chart higher. There are all sorts of factors that you just don’t know – behind the scenes, how it’s all working. Chart position is one thing, but it’s not everything. If you look at the Sunday Times best seller list, you don’t actually have to sell a phenomenal number of books to appear on that, but to appear at the top of the Kindle chart, you have to sell quite a phenomenal number of eBooks. And yet so many people equate being on the Sunday Times bestseller list as what success is and not so much on the Kindle top one hundred. The volume shifted is much, much greater for a book to be in the Kindle top hundreds. So, there’s all sorts of things that just go on and you just have to silence it and feel proud of your work or you could drive yourself crazy.

Those days when there are zero sales you can you start questioning. Why am I bothering? The time I’m investing in this book, the amount of emotion I’m putting into this and nobody’s buying the book – so, what’s the point? But then when your royalty statement comes through or whatever, it can be pleasant surprise.

Deborah: So that brings me to a question for you. You were an Indie author for a good few years before you were published by Boldwood; looking at where you are now, if you were talking to yourself in those early days, when I think you said in your blog, perhaps only your mum and your close friends were reading your book – maybe thinking: Why am I bothering? What would be the words of wisdom you would whisper in the ear of your younger self who was feeling despondent?

Jessica: It would be: Just keep believing. I mean, I would never have written a book, if I didn’t think I could write a book, and I didn’t think it was a good enough story, and I didn’t think I was a good enough storyteller. So, keep going back to that. The self-belief in the story that you have, that people will want to read. Accept that the roller coaster, to use a bit of a cliche, but the roller coaster absolutely is how publishing works.

There are highs and lows, even those who have a contract, maybe for two or three books, if one of the big five publishers, they can suddenly find that that their contract is not renewed, or they choose not to renew it. Maybe book one does phenomenally well but book two doesn’t. You know, there are so many peaks and troughs in what we do.

I got a publishing deal right at the front. And at the point I was about to give up with the submissions process thinking, I’ve got it made. I’m going to be an author. Brilliant. But the publishers didn’t do very well and went bust and I got my rights back and became Indie for five years. So, you know, so, so much can change just in the blink of an eye.

And so, keep believing, keep going, have that resilience. If you have stories to tell burning inside of you. Keep, keep, telling them because at one point it could all change. And I would remind myself about the importance of finding your tribe, finding a group of writers around you, who understand it, who get what it’s like when you are having Imposter syndrome, Comparisonitis, all the other things that go with us, those high moments, those low moments. 

I’ve been part of a writing collective for about nine years. It’s just been really encouraging, seeing everybody become a published author, indie, traditionally, or hybrid, and just having that support network because when somebody is on a high, somebody else might be on a low and they can support them with that and vice versa.

I’d love to have had a crystal ball and said, look, this is where you’ll be in in five year’s time. Just keep going that. That’s my  message to keep going. Don’t give up because this, this was a dream. This is what I wanted to do. 

The two most important days in your life are the day you were born and the day you find out why

Mark Twain

On the day that I, I got my first novel published my husband got me a canvas of that novel, and also a novella that had come out before. So, two canvases of my covers. But he also got one that sits in the middle that has a quote on it by Mark Twain, which says: The two most important days in your life are the day you were born and the day you find out why. And then it’s got the date that my book was published and it says:  The day life changed for Jessica Redland on it, love from him and my daughter. I usually actually get quite tearful when I read that I was trying to kind of keep the emotion in check then. And it’s just such a perfect quote because all my life although I didn’t know it I was working to this point. 

I’m not somebody who wanted to be a writer from a young age. It never even entered my head to be an author when I was a reader, you know, it was something other people did. It was only when I hit about 30 that I even thought about it. But it was as though I’d been building up to that all my life. My favourite subject in school was English. My favourite jobs were always the ones in HR that involved some sort of creative writing. I used to design assessment centre exercises. I used to create scenarios of characters that were part of that. Little did I know that I was building up to becoming an author and creating characters.

Around that time somebody said to me, I should write a book. I just said. Gosh, I should. I’d love that. And then everything from that point just fell into place. So, yeah, that was the day that I found out why I was born. I was born to be a writer. And the big thing is I get so many messages from readers talking about how my books have helped them through dark times through three years of the pandemic, particularly more recently, but even some of the subjects that I tackle in Snowflakes over the Starfish Cafe, that you mentioned at the beginning, that book was up for an award. It deals with bereavement. And I’ve had messages from people saying it’s been so cathartic reading that because I’ve suffered some extreme bereavements as well.

For readers to read the feelings of main characters and feel that I’m normal in feeling like that. It’s just, it’s made me turn a corner and you just think, wow, I never thought about any of that when I started out as a writer, that we can make a difference in our own little way through the characters that we create and the stories that we tell.

That’s the reason in the moments when I wasn’t selling any books and thinking It’s never going to work for me – that’s the reason to keep going. 

Deborah: Fantastic. I absolutely loved that story and it really chimes a cord makes I’m often writing in my blog about the seeds of desire in your heart and to listen to that and to follow it.

And, you know, I also think that our whole life is like a book. Everything happens for a purpose in terms of all of our experiences. As you say, they all, come together and you go, Aha. That experience is making me who I am and that’s why because this is what I’ve got to do. And the other thing you said about somebody saying to you, You should try to write a book – It’s those little miracles, all the people that come into our lives. They may be strangers. Sometimes a person says something that takes you off on a path, or something, you read. They are whispers to point you in the right direction.

Jessica: It’s so funny because it was my manager at work. I used to write lots of reports and he would laugh reading them. One day he said, ‘I love reading your reports. They’re like a story. Maybe you should make them a bit more business-like. But have you ever thought about writing a book, you really should? Nobody had ever said that to me. And it was like this light bulb, just kind of fireworks explosion. Yes. Yes, I should. The next thing was finding an idea for a book, but then by some pure coincidence a set of events happened in my life that gave me the premise of my first book.

Deborah: So again, as you say, little things present themselves and you go, Oh wow. I can do something with that. Which shows why we have to be open to listen to what’s around us.

When we get too much into our head, we’ve got all that noise going on. We don’t pick up on little messages which are there for us to see and listen to. We need to go inward and be at receptive so that we can pick up on ideas and opportunities. 

Jessica: Definitely.

Deborah: Before you go, please tell us about the latest books that you have got out. I will provide links in the show notes so people can find out more about. 

Jessica: Thank you, Deborah. I have a new novel that just came out in early April, called Spring Tides at the Starfish Cafe. And that is a sequel of Snowflakes over the Starfish Cafe. I’ve been doing a bit of a promotion and celebration of that. I’ve also just about hit the ends of the final edits on the fifth book in the Hedgehog Hollow series called Chasing Dreams at Hedgehog Hollow which is out on the 28th of June, but available for pre-order. And I’m just about to dive into the final book in that series, which is out on the 6th of September. That’s set at Christmas. Although we don’t quite have a title, we’ve got a couple of working titles at the moment and that’s pretty typical. I write four books a year, so quite often I am promoting one, finishing the edits on another, and writing the next one. So, kind of working a few books in advance.

That will take me up until about probably June to have worked on that Christmas one. And then I will be writing my first 2023 release, which sounds really scary talking that far ahead. I work about eight months in advance.

Deborah: And this is why I admire you. You’re a prolific writer. You’re determined. You’re resilient. Absolute pleasure talking to you Jessica. 

Jessica: Thank you. And thank you so much for inviting me as a guest. I will look forward to listening to the other podcasts.

Deborah:  I’ve got loads of interesting guests that I’m chatting with. So, me too.

Never Enough by Jessica Redland

All I want is one idea
How difficult could that be?
A plot that has some mileage
That would be enough for me

All I want is to write a book
What an achievement that would be
300 pages, a brand new world
That would be enough for me

All I want is for someone to read it
A friend or family
If they said it was good; that I could write
That would be enough for me

All I want is an eBook publisher
How amazing would that be?
To believe in my story and share my work
That would be enough for me

All I want is to make some sales
Just one, or two, or three
A handful of readers to download to Kindle
That would be enough for me

All I want is some good reviews
How flattering would it be
For strangers to say they love my work?
That would be enough for me

All I want is to climb the charts
It would make me so happy
To see my ‘baby’ go up and up
That would be enough for me

All I want is a bestseller tag
In some obscure category
That orange flag would scream success
That would be enough for me

All I want is to break the top hundred
I know there’s no guarantee
But then I’d know I’ve got some talent
That would be enough for me

All I want is to be top ten
Can anyone hear my plea?
Side by side with my favourite authors
That would be enough for me

All I want is a number one
I’d barely contain my glee
That coveted slot and all those sales
That would be enough for me

All I want is a paperback
Something I can hold and see
To say “I wrote this”, oh my word
That would be enough for me

All I want is to write full time
A lady that lunches? So me!
Full days in my office, creating away
That would be enough for me

All I want is an audio deal
Listening while sipping my tea
Those accents, those sounds, my world brought to life
That would be enough for me

All I want is my books on the shelves
Of a supermarket: big four. Or three
The sales, the success would remove all the stress
That would be enough for me

All I want is a top five publisher
The validation? My pants I would pee!
I’d finally know that I really can write
That would be enough for me

All I want is to make foreign sales
Australia? France? Germany?
Translations galore, the world at my door
That would be enough for me

All I want is the film to be made
The big screen for everyone to see
Amazing reviews, the compliments ooze
That would be enough for me

All I want is an Oscar win
I’d really be top of the tree
Best screenplay? Oh my, I think I would cry
That would be enough for me

All I want is some book two success
And the same for book number three
Doing even better than first out the grid
That would be enough for me

All I wanted was one idea
To write a book, just for me
But the goalposts kept changing, my life rearranging
And it’s never enough for me

It’s easy to feel so overwhelmed
When sales aren’t what I’d hoped
And reviews are mean and personal
And very unprovoked
When all the writers that I know
Seem to do so great
And the day job takes priority
So my writing has to wait

So it’s back to the start to recapture that feeling
When first I typed “the end”
When someone said, “I loved it!”
Even though they were a friend
When I sat at my keyboard and laughed and cried
As my characters found their voices
When the publishing world was unexplored
But filled with exciting choices

The task once seemed impossible:
To write a full-length story
A big fat tick against that goal
I should bask in the glory
That I achieved what many don’t
And repeated it six-fold
am a writer BECAUSE I WRITE;
Not for how many I’ve sold

You can find out more about Jessica’s books on her website: https://jessicaredlandauthor.com/my-books/

Virtual Writing Retreat 26th February 2022 with guest Beth Miller

We were delighted to welcome best-selling author, creative writing tutor, and book coach Beth Miller to our first Friday Salon virtual writing retreat. Beth answered questions on getting a book ready for submission and the querying process. The key points that Beth made have been summarised below.

Beth Miller

Query letter

Dear name. If you are not comfortable with using the agent’s first name, then address your letter Dear first name, second name. The publishing industry is more informal than it used to be.

Your letter should be professional and succinct not chatty.

Start with the name of your book, genre and number of words – completed at x words. This shows that your MS is complete and that the word count fits with the expectations of the genre.

Then, the pitch for your book. This is the most important part of your letter. 

Where in the market do you see it fitting? What books would you compare it to in terms of style and/or theme? 

Why have you pitched to that particular agent? Do your research so that your letter is personalised and targeted for that agent.

Include a brief biography if it is relevant to the book. For example, if it is a crime novel and you are a policeman than include that information. If your biography is not relevant don’t include it.

Before mentioning self-published books do your research to find out the agent’s view. If in doubt don’t include information about being self-published.

You could finish the letter by mentioning what you are working on now or save that information for when the agent makes contact and expresses an interest in representing you.

When sending out query letter include publishers who accept unsolicited manuscripts such as Bookoutre as well as agents.

Send out to five and when you receive rejections send more. Aim to have five queries out at a time. Take your time – each query letter is a work of art. It is a long process. Waiting times are longer than ever now so expect to be in it for the long haul if you want a traditional publishing contract.  

Rejection

It is a rite of passage. 

Beth’s words of wisdom: You are sending out your query letter hoping that it will reach an agent who is interested in representing you. Imagine you have sent it to ‘who it may concern.’ When you receive a rejection think – it wasn’t the right address. Eventually it will find ‘who it does concern.’ For more words of wisdom on rejection see Beth’s blog posted on Writers and Artists:

https://www.writersandartists.co.uk/advice/rejection-sucks-but-no-one-got-published-without-it

Beth Miller

Author of six novels including the Kindle top 20 best-seller The Missing Letters of Mrs. Bright, and two non-fiction books. Beth is RLF Fellow of University of Brighton. She teaches creative writing and is a one-to-one book coach for people at all stages.

Beth provides a service to review a query letter, first three chapters, and synopsis, to give writers the best chance of success when contacting agents and publishers.

To find out more about Beth Miller and her books see:  bethmiller.co.uk 

Beth was also a guest on my show see Castaway Books.

The next Virtual Writing Retreat will take place on Saturday 25th June 2022 1.30 – 6.30 pm GMT. To book a place contact me at dkauthor@btinternet.com There is no cost. The purpose of Friday Salon Writing Retreats and tweet-chats is to build a supportive writing community with meaningful engagement. Everyone is welcome.

Agenda February 2022 Writing Retreat

PLAN

1.30 GMT (8.30 EST) to 2.10 GMT (9.10 EST)

Welcome and introductions.

What we aim to achieve in our writing today with discussion on areas of potential challenge.


2.15 GMT (9.15 EST) to 3.30 GMT (10.30 EST)

Writing time


3.30 GMT (10.30 EST) to 4.10 GMT (11.10 EST)

Beth Miller – Getting your novel ready for submission. 

Beth will share her experience of working as a book coach and answer questions to help you with your WIP.


4.15 GMT (11.15 EST) to 6.00 GMT (1.00 EST)

Writing time


6.00 GMT (1.00 EST) to 6.30 GMT (1.30 EST)

What we achieved today. 

How to succeed as a creative

The problem is, there are millions of other books out there, so why is someone going to pick yours?’

Ian Miller

Recently a fellow blogger and author Lizzie Chantree posted this quote on her Facebook page to stimulate discussion. It is perhaps one of the most common thoughts a new author or even a seasoned one has. It is what relatives and friends will tell aspiring authors. Why bother?

My brother is excited to be on the Faber Academy novel writing course. One week their tutor asked them to write down and then share their secret fears about becoming an author. All of them said similar things: I’m not good enough. It’s almost impossible to get a publishing contract. What if I put in all of this effort and nobody reads my books?

Every aspiring author has these doubts. Musicians and artists have similar concerns. We perceive an impenetrable gate guarded by gatekeepers who will send us on an impossible quest to win our heart’s desire.

Bernswaelz – Pixabay

Last week I had a dream. My brother was suffering from this familiar writer’s angst and so I explained to him why he had to follow his dream and how he had complete control over his future success and happiness. When I woke up, I felt as though a weight had been lifted from me. My dream changed my mindset. Of course, I had and will continue to have, those same fears that every creative experiences but my subconscious/ higher self/ God spoke to me in my dream and so I will attempt to share this with you.

We have become brainwashed to believe that success means fame and fortune. This is reinforced daily through the media, from comments by family and friends, and our ego as we compare ourselves to others.

This interpretation of success is based on a commercial world where the gatekeeper’s goal is to make money. There is nothing wrong with that we all need to earn a living. A writer needs to be both creative and mindful of the business of publishing. However, we should understand that interpretation of success is a commercial one and has absolutely nothing to do with our personal success.

We have come into this world with a purpose. A seed of desire has been sown in our hearts. Just as an acorn has everything within its DNA to become a magnificent oak tree, we have within us an infinite potential to fulfill all that we desire.

To succeed is to follow that dream. To be courageous and audacious. To put everything that we have into being the best that we can be. There are no gatekeepers. The only thing that can stand in our way is our lack of self-belief and fear of failure.

Mabel Amber- Pixabay

Last year, I told you about my plan to broadcast a new podcast The Mindful Writer. It’s something I have thought about for months. I’ve been sharing my inner journey as a writer with you here but I wanted to talk to other creatives to hear about their experiences. The idea wouldn’t go away. It felt like something I had to do but something held me back. I was afraid of putting myself out there and asking other creatives to do the same. To voice out loud our fears and vulnerabilities is a big ask. I was also a bit overwhelmed by the amount of work required – the knowledge and skills I would have to learn. Then there was that voice – the thought goblins: There are so many podcasts out there who is going to listen. Is it really worth the effort?

I truly believe that when something is in our heart, an idea that won’t go away, then we have a responsibility to act on it. Yes, this took me out of my comfort zone but that is when the magic happens – when we start to grow. At the beginning of February, I reached out to potential guests and I have been overjoyed with the response. I have a project plan and I am taking one step at a time. It’s exciting and scary. This is success.

I have indie published two novels, The Borrowed Boy and Just Bea. My third and fourth novels will be ready to publish this year and I am hoping to secure a traditional publishing contract. However, I am not looking to this outcome as the answer to my dreams – it is just one possible outcome. To look to the gatekeepers of the creative industry as the people who can grant you what your heart desires is to hand over responsibility for your happiness. No wonder it feels so painful and wrong.

Gerd Allman – Pixabay

If you are waiting for an agent to represent you, or a publisher to offer a contract, and feel the angst that we all feel then try visualising it as a tight ball in your diaphragm – that’s what it feels like to me. Take that ball of negative energy and place it outside of yourself. Maybe you can see it now that it is detached from your body? Let it stay there.

Now, look upon yourself as a loving parent, a wiser version of you – be kind and compassionate. Fill yourself with positive, loving energy. Remember that you have everything that you need to fulfill your dreams.

As you listen to your heart and follow those dreams you will be surprised by the miraculous things that happen. I am every day. The messages I receive from readers who have enjoyed my books, contacts made with like-minded people from all over the world, invitations to speak at book clubs, being featured on other writers’ blogs, comments on my show Castaway Books. The list is endless.

So, the advice I gave my brother in my dream was to:
Redefine the meaning of success
Remember you hold the power to your peace and happiness
Be the best that you can be
Be joyful – you are doing what you love
Celebrate every success however small

You are amazing!

One final note. Lack of recognition and financial reward did not stop Henri Toulouse- Lautrec, Johannes Vermeer, Vincent Van Gogh, or Emily Dickenson from creating incredible works of art – thank goodness. All died penniless not knowing the impact of their work.

Season one of The Mindful Writer starts on 4th May 2022. If you would like to be a guest on this show contact me at dkauthor@btinternet.com telling me why you would like to share your story.

Why waiting on God or the Universe is a gift

We live in an era of instant gratification. An expectation that if we live by the rules, tick all of the right boxes that we will be rewarded with our heart’s desire. A person with faith in God, the Universe, can find that faith tested.

When we experience setbacks, we have to draw on our inner resources, developing resilience and this prepares us for what lies ahead. If our prayers are not answered immediately, or even for a considerable time, it is because the time is not right. I am writing this as an author who, like many writers, has experienced frustration and disappointment when a submission to publishers has been rejected, or an agent has passed on a full manuscript. A few years ago, when I first started a daily meditation practice, I did everything: positive affirmations, visualisations, prayers to God. I had absolute faith that all would be well and my novel which was out on submission to editors would, as my agent suggested, be snapped up. As the weeks passed, I did not lose faith. I meditated for longer. Prayed harder. But it was not to be.

I learnt a lot through that experience. The most important lesson – we cannot impose our will over God’s (the Universe). And that is just as well because the great creator of all things has a much better plan for us than we can envisage right now. 

If you have submitted a manuscript or other creative project and experienced rejection then take that as a positive. It means you are not ready. Not because you are not good enough but because you are still developing creatively and your best work is yet to come.

Little Women by Louisa May Alcott 1994 film adaptation

 In the 1994 adaptation of Little Women with Winona Ryder, Jo’s father counsels her on the wisdom of selling her short stories to a magazine and settling for this as a writer. He tells Jo that writing is her greatest gift and not to squander that gift. He doesn’t mean that writing short stories for a magazine is unworthy, he means work at your writing, nurturing your gift. Maybe the Universe has greater plans for you. Be patient.

To have faith does not mean believing that your will – will be done. It means trusting that all that transpires is in your best interest. We cannot see the bigger picture. 

An author friend desperately wanted to get published. She experienced her share of rejection letters from agents, and disappointment when full manuscript requests did not lead to representation. We had several conversations about what was next. My friend decided that she would be happy to settle for a publishing contract with an independent publishing press, bypassing the need for representation by an agent. So, she sent her MS to several independent publishers and she also entered a national competition. My friend was a runner-up in the competition but this led to representation by an agent. Around the same time, one of the independent publishers came back with the offer of a two-book publishing contract. However, the agent secured a much bigger deal with a leading traditional publisher and my clever friend is now a well-known Times best-selling author. The moral of this tale? Trust that God/ the Universe has a plan for you. It is not for us to decide how bright we will shine but to step into the future that awaits us by being prepared and ready when the time comes.

The challenges that we face as we strive towards our goal test our endurance and determination. It is a way to prepare us for what lies ahead. The bible story of David and Goliath is well-known: how David the youngest and smallest son fought Goliath, a giant of a man, and won. In this bible story, David was bullied by his brothers. Maybe this experience hardened him and gave him the courage to fight Goliath. 

David and Goliath

Many years ago, I was recruited to lead a national project evaluating older peoples’ experience of services provided by local authorities, health, and social care. We were midway in planning and delivering this project when the commissioning agency changed as the result of a merger. As time went on resources were pulled from our project – team members reassigned, funding cut, infrastructure removed, etc. It would have been so easy to give up. To give in my notice and find another job. It was hard. Really tough. It became clear to me that the new organisation was not interested in the project. I was committed to seeing this project through to completion because I had consulted with an advisory group of older people who were passionate about shining a light on the inadequacy of services. I would not let them down. So, my team and I battled on to complete the evaluation and produce a national report. This report was challenged by government departments and the commissioning bodies as it was uncomfortable to read. However, the report was published in 2005. It made national headlines – front pages of all the tabloids. And resulted in a Department of Health initiative to improve dignity in care. That experience taught me to stay the course whatever obstacles are put in my way. As my mother always told me: Nothing worth doing is ever easy. Maybe this experience prepared me for life as an author.

So, if you are waiting impatiently for your dream to manifest reflect instead on how you are growing, changing, and becoming so that when you step into the spotlight you will give the performance of your life.

Why you are special

Do you sometimes despair believing that you have no chance of being seen when there is so much competition? Maybe you are a musician, a writer, an actor, or just applying for your dream job and facing one rejection after another. To keep on, keeping on, when it feels the odds are against us is tough. We may start out optimistic and full of energy but to survive one knockback after another requires resilience and determination. There will be times when we question whether our efforts are in vain, after all, there are a million others like us with the same dream. What makes us so special?

We are special because each one of us has been created to fulfil a purpose. We are unique; a precious part of the whole. Imagine the universe. A cosmic system of a billion stars and galaxies, containing all of the energy and matter that there is. Every tiny detail created to work in perfect harmony. It is magnificent – awe-inspiring, and we are part of that universe. 

When I was younger and had several knockbacks in my career, I remember walking on a stony beach. I picked up a pebble and questioned – why that pebble when it might have been any one of the million on that beach? It was chance, so what chance did I have of being picked for my dream job? 

As it happened, the job I thought was right for me was not. When I let go and trusted the universe, I was rewarded with a future that was more than I could have imagined. I truly believe that the great creator of all things has a perfect plan and we just have to let go and trust. So, shine bright and know that you are special. 

How to survive querying agents or a job hunt

Sending out a query letter to literary agents, or applying for a job that you desperately want is scary. You pin so much hope on your submission and feel as though you have handed over responsibility for your future happiness. It doesn’t have to feel like that. In my post, 5 Ways to attract what you want into your life I share practical steps on managing feelings when you want something too much.

Maybe, like me, you have been burned before and so are cautious this time around. My third novel is ready to submit to agents. I have had a literary agent in the past and lived through the anxiety and trauma of finding an agent and a publishing contract. It is not for the faint-hearted. This time I am in a good place as:

  • I am not attaching myself to one particular outcome
  • I am not looking for validation
  • I know that I have options and I am in control
  • I have faith that the right solution will find me so long as I am open to possibilities.

However, despite having done a lot of inner work to reach this healthier state of mind the prospect of seeking an agent and contract is still daunting. When something is important to us, we will always feel some trepidation. 

I have enjoyed taking regular runs for many years. When I was in my fifties, I experienced pain in my hips after a run. As a result, I gave up running for a few years. Then, a fitness trainer explained to me that if I prepared properly for a run by stretching and did the same post-run then I would not experience any joint pain. She was right. I am using this analogy to explain how the pain of trying to get a job or an agent can be avoided with proper preparation and after-care.

Before 

I successfully self-published my first two novels The Borrowed Boy and Just Bea, receiving great reviews and three awards. However, it is a challenge to reach the audience I would like to attract without a publisher and agent championing me and helping to promote my books. This is why I am going to approach agents and some independent publishers with my new novel. 

Before applying for a job, querying agents, or approaching publishers be very clear about what you want, why, and what a good fit would look like.

My goal is for my books to be visible to a wider audience of readers and to increase sales. I want to achieve this so that I can share my stories, engage with readers, and be heard. For me, a good fit with an agent would be one where there is mutual respect, a partnership with both parties listening to the other, an agent who loves and understands what I write. 

Just as the wrong job for you can be damaging to your career, so can the wrong agent. It is not a one-way street – you are looking for the right job/agent just as they are looking for the best person to employ/ sign to their list.

Do your research. Now you know your needs and what you are offering, invest time in finding potential agents/jobs that are a good match.

There are several ways you can achieve your goals. Be imaginative and brainstorm other options to get what you need. Getting an agent is not the only, or necessarily the best, outcome for me, it is just one.  I have other options:

  • Find an Independent Publisher to publish novel three and potentially my first two novels.
  • Enter competitions to attract an agent or publisher.
  • Rebrand my first two novels with my third and fourth to make them more marketable. This would include changing the covers to make them recognisable for the genre and my brand. Invest in advertising. 

I am excited about the third option and have a long-term strategy to promote sales. It is important not to attach ourselves to one particular outcome. This week I read a meme on Instagram God’s plans are greater than our dreams. This spoke to me as in the past I have found this wisdom to be true. I am thankful that I am not the creator of my future because what has unfolded in my life is more than I could have imagined or hoped for. 

 If an agent rejects our submission, it is because they do not think that we are a good fit. I know my shape and size – I am holding a jigsaw piece up to see where it goes. The agent is another piece of the jigsaw and they too know what they are looking for. It has to be a perfect fit for the author and the agent. That means trial and error before finding a match.

Christos Giakkus Pixabay

During 

You have applied for the job or sent out query letters now it is time to wait. You can check your inbox every few minutes or put the time to good use. I will be using the time to do a much-needed revamp of my website. I will also be plotting my next novel. By focusing on the next project, you can save wasted energy worrying about the outcome of your submission. When you get a full manuscript request you will need the distraction of a shiny new project to stop you from imagining every scenario from a harsh and crushing rejection to the opening night of your book to film premier. When The Borrowed Boy was out on submission to publishers, I wrote my next novel, Just Bea.

Focus on other options. You might well get the positive response you are hoping for but there is no harm in thinking ahead and planning the next steps. 

My daughter was recently disappointed when, following a lengthy recruitment process, she got the call to say that whilst it was a close thing, she had not got the job. On reflection, my wise daughter had come to a similar conclusion. A few weeks later, she got a call from the same organisation inviting her to apply for another job which they considered a better fit. I am delighted to say that she got this job and much prefers it to the original one.

After

You have had an interview or maybe you have been invited to meet with a prospective agent. Be fully prepared. 

  • Research everything that you can about their organisation and how they work. 
  • Clarify the questions that you will want to ask.
  • Be clear on what you would be expecting from your future employer/agent. 
  • Consider the terms and conditions that are acceptable to you. 

and you will be confident in your decision to accept or not.

If you do not get an offer then you know that you have other options. Do not standstill. Be positive and pro-active in improving your application/submission for next time, network, raise your profile on social media, improve your skills, try new things – a different genre, or short stories. Do not whine and complain on social media. Lick your wounds for one day if you need to but then get back up and out there. A positive, confident employer/author is more attractive and therefore attracts more opportunities than a negative one.

How to be one in a million

When I was in my thirties, frustrated at my failure to achieve the next step on the career ladder, I remember walking on a pebbly beach. I thought, I am like one of those zillion pebbles, why would an employer pick me? There was so much competition, I felt as though I was invisible and my dreams unachievable. 

What I have learned since is that every single pebble on that beach is perfect and unique. Together they are astounding but each and every one of them has a place and purpose. I found my purpose – the perfect job for me but it wasn’t until I relaxed and valued myself that my future found me.

Whether you are applying for jobs, querying agents, or submitting to publishers, there is a lesson to be learnt from those pebbles on the beach. 

You are unique and perfect. Take stock of what you have achieved, your skills, your experience. Everything that makes you who you are today – right now. The opportunity you are seeking needs to fit your perfect shape.

 Every pebble, shell, and grit of shingle fits perfectly into a whole. The sea smooths rough edges, it carries flotsam in its tide, and welcomes the rivers and streams that flow into its vast ocean. We are part of something bigger.

Nature will find your perfect fit, what you need to evolve and become the person you are meant to be. Your job is to be clear where you are now in your development so that you can recognise the right opportunity when it arises – and it will. 

Taken at Isles of Scilly

You are one of a million, but you are also one in a million. Nobody else has your unique combination of skills, knowledge and experience. The job, agent, or publisher that is right for you – the perfect fit, will be drawn to you when you know what you are looking for. 

Think of putting together a jigsaw puzzle. At first the mound of jigsaw pieces can feel a bit overwhelming, but when you hold one piece in your hand and really study its form, the exact shape of each side, then it becomes much clearer where that piece fits within the bigger picture.

Just as the sea shapes and moves, your life will unfold in its own time. Keep present and trust the process. Everything happens at the right time. Because nature is perfect and we are part of nature.

For practical guidance on finding the perfect job this link will take you to an earlier blog. 

Five Life Lessons from Running

I have enjoyed regular runs for nearly thirty years. What I take from each run is different every time and has changed over the years. Now, in my (early!) sixties I have a regular run 4k across the beach to the pier and back. Not far enough to tire me but perfect for clearing my head and stimulating creativity. When I started out running it was about protecting my time and making a commitment to run, then pushing myself to run further. This is what running has taught me.

Finding time

When I was in my early thirties, I was the mother of an under five, worked full-time in a high-powered job, and was studying part-time for a master’s degree. To eke out even thirty minutes for a run felt impossible. I was unfit and couldn’t run for a bus without gasping for breath. I lived in the countryside then and set myself a challenge of walking and running for a mile or so across fields and lanes. I enjoyed the fresh air, and time to myself but it was exhausting and it would have been easy to find excuses not to run. I committed to run twice a week and with great effort and determination managed to do so at least once a week, most weeks. This was an important lesson for me. If something is worth doing, if you want to reap the rewards, then you have to find the time. 

I have applied this lesson to writing, meditation, and yoga. Find the time. Show up no matter what. It is not always fun. Sometimes you have to make yourself, but it is always worth it and over time you will see big changes.

Pxabay

Setting achievable goals

The furthest I have run is a half-marathon 13 miles or 21 k. When I set that goal, I was running 7 or 8 miles regularly but that was a stretch. When I was training and felt I couldn’t run any further I told myself, just run to the next lamppost and then you can rest/walk. When I reached the lamppost, I always felt I could just about run to the next one. Little by little I completed the run – just one lamppost at a time.

How often are we dissuaded from having a go because we are overwhelmed by the size of the challenge? I would never have believed I could write a novel – 90k words is huge when the most you have written is a 5k assignment. That was how my first novel started. A creative writing tutor asked us to write a 5k story and to share instalments over four classes. That 5k story became the outline for my first novel. Every task can be broken down. Just focus on one short-term goal, then the next. One lamppost at a time. 

Resilience and determination

Keep going, when the going gets tough. A steep hill, or running against a strong wind, can really challenge a runner’s resilience. I often run towards the pier with the wind behind me but when I turn around and feel its force it’s a struggle to run back. My younger brother taught me a chant which I say in my head, ‘the wind is my friend it makes me strong.’ It works. I repeat this and gradually I believe it. And it is true, trials and tribulations strengthen our character and make us more resilient. 

I take this feeling of determination and resilience to my life as a writer. Creatives experience many knockbacks and rejections. When writers express disappointment after receiving a rejection on social media I remind them that a successful author receives on average 200 rejections. Every rejection is one step closer to success. We have to learn from adversity, use it to grow stronger. The wind is your friend.

Brigitte Pixabay

Nurture yourself

Although I have been running for many years, there were three years when I didn’t run at all. I was in my fifties and although I could easily run 5k or more, my hips hurt when I bent down to remove my trainers. The morning after a run I had discomfort in my hips and knees. Around this time, I sustained an injury (not from running) that resulted in a frozen shoulder. I visited a Chinese doctor, for a consultation on freeing my shoulder, and mentioned my stiff and aching hips. When I explained that they hurt after a run he laughed and said, ‘You are too old to run.’

I took this to heart. I bought a bike and thought my running days were behind me. A few years later, a fitness instructor told me that the reason I got pain in my joints after a run was because I didn’t warm up properly or cooldown by stretching fully. I took her advice and now I prepare for every run with ten minutes of yoga, and my mat is waiting for me on my return for a ten-minute cool down. I never experience any pain in my joints.

The lessons I took from this are:

You are never too old to do the things that you enjoy. Don’t let anyone tell you otherwise.

Listen to your body. You know better than anyone how your body, and mind work. Tune in to what is going on and then fix it. This means giving yourself time. Being compassionate. Don’t push on ignoring your body. 

Three weeks ago, I went for my usual Sunday run, despite having had my second jab the day before. I thought I felt fine and set off at a pace. The truth was, I hadn’t taken time to truly tune in and listen to my body. I had almost completed my run when I felt a little light-headed. A few seconds later, I had an almighty fall on a rail crossing. My injuries have healed but it has knocked my confidence. I’ll get back out there this week but will be more mindful in the future.

Pixabay

Stilling the mind.

Every Sunday morning, I go for a run by the sea, and by the time I get home I know exactly what to write in my blog. I have come to have absolute faith in this process and do not fret in the days before my Sunday deadline. I run and then I write. 

Running is a bit like meditation. The steady rhythm of placing one foot in front of the other, attention to breathing, and the flow of energy, induce a calm state of mind. It takes me five minutes to reach the sea, and then I am pounding across the sand as I head for the pier. Ten minutes into my run, the chatter in my head reviewing what has gone before and what is to come quietens. The hush of gently lapping waves, seagull cries, the salty scent of seaweed, and the glitter of light on water fill my senses. My mind is open and ready to receive. It has been said that prayer is talking to God and meditation listening. You just have to still your mind and the answers come to you.

Meditation does not have to be sitting in silence. A walk in the woods can be meditative. Focusing on nature, filling our lungs with fresh air, ground us and calm the mind. If you are not a runner and find it hard to meditate, try walking in nature. 

Live your life mindfully, as every activity brings new learning and awareness. 

How to find your perfect job

In my novel Just Bea, Ryan tells Bea that instead of trying to make herself fit she should find what fits her. 

Bea says to Ryan,

‘…I could at least prepare. Do everything possible to increase my chances of success. And I did. It’s harder for me because it doesn’t come naturally, fitting in.’ 

He replies

            ‘Maybe that’s because you’re starting from the wrong place. Take those Jiminy shoes. You didn’t go squeezing your foot into a pair that was too small or make do with ones that were too big? That would be daft. No, you found the right fit for your size and shape.’

The analogy of finding a shoe to fit came from advice I received when I had become stuck in my career. I was restless in my job; it no longer fulfilled me and I wasn’t getting shortlisted for the jobs I thought I ought to be applying for.

Up until my late thirties, my career progression had been linear. I always knew what the next step should be until I reached this stage in my life. I could only see two options: to stay where I was, or in a similar role, feeling frustrated and dissatisfied, or get promoted to the next level and that wasn’t happening.

A wise woman told me that I had outgrown my job and like a badly fitting show it was starting to pinch and rub. That I knew. But how did I fix it?

The advice was the same as Ryan gave Bea, ‘Find your shape and size and then find the job that fits you.’

Chris Kinkel Pixabay

I had tried everything else and was tired of throwing myself against the same wall – applying for jobs with high expectations, then disappointment when I got rejected. I had to find another way and although the advice seemed a bit vague, I decided to give it a go.

There were no instructions or rules so I made my own. I had to start with a clean sheet of paper – no preconceived ideas, a completely open mind. 

I made a list of things that I was good at and enjoyed. For example:

  • Researching what works well and why
  • Problem-solving
  • Mediating
  • Listening to and enabling others
  • Writing

Then I made a list of the things I didn’t enjoy in my current job.

For example:

  • Conflict
  • Internal politics
  • Operational management
  • Bureaucracy
  • Hierarchies

I kept on writing – brainstorming. When pages of paper were covered in lists, diagrams, and swirls I took stock. I had a job specification but I didn’t know whether there was a job that would meet it. The posts I had been applying for certainly didn’t. It was a template – my shape and size. Now I just had to find a job that would be a perfect fit.

The next time I opened my trade journal on the jobs page I didn’t look at the job titles, instead I checked the descriptions and then, if they were a possible, I requested a job specification. If I had not taken this approach then I would never have discovered the perfect job for me. My eyes would have slid past the job advert as I had become 100% focused on what I considered to be the next logical move. 

I had to go through a rigorous selection process but all of the exercises played to my strengths and of course, I was offered the job. It is a job that I loved and it led to many more exciting opportunities. 

There is a lesson for us here. When we hit a brick wall we need to stop and consider why. There is a reason. If we are too focused on one particular outcome then we are blinded to other opportunities and it takes longer for us to find the right path. 

We are unique individuals with our own special gifts. How can we expect others to see what we have to offer if we do not know ourselves? It takes imagination and self-belief to find our right path. Honesty and courage. The alternative is to stay still and be miserable or beat ourselves up by believing we are not good enough.

Whether you are looking for promotion, a change of career, or trying to get published, stop and take stock – recognise your unique contribution and then find the right home. I have done this in my journey to publication and in finding the best way to market my books. I know what I am good at and situations where I do not thrive. Nobody knows you as well as you do. So be kind and nurture yourself. 

The power of self belief

‘She’s not showing any commitment to your relationship,’ a girlfriend counselled me as we took our habitual walk and talk by the sea.

I check my phone every few minutes, exasperating my husband. I wonder if he thinks I am having an affair.

Maybe my email was worded wrong and she misinterpreted what I said. Or – I missed something written between the lines of her text. I check again. And again.

Maybe she’s just not that into me. 

No, I wasn’t having an affair. I was stressing over the lack of contact from my literary agent. It really is akin to dating. That feeling of elation when you receive an email full of exclamation marks – the agent loves your work and, in my case, ‘I am waiting on the edge of my seat,’ to receive my full MS. And another the next day, ‘I can’t stop thinking about your novel.’ Heady stuff. You hand over your heart. 

A new love affair or a collaboration with an enthusiastic literary agent is wonderful. It is to be celebrated and enjoyed. However, it is important to stay grounded. When we look outside of ourselves for affirmation that we are ‘good enough’ we hand over the responsibility for our happiness and wellbeing.

Take back control for your happiness

I am not suggesting that you hold back in any way, or distrust this new relationship, only that you do not look for external validation of your worth. We hear it said by spiritual gurus and counsellors that we are enough, in fact, more than enough. They are wise words, but not so easy to believe when we are filled with self-doubt.

To take back control, listen to your heart and not the thought goblins who whisper criticism and doubt in your head. You need to really listen to your heart to understand what you want and why. That’s easy you might say, ‘I want to be a successful published author.’ Or, ‘I want to meet my soulmate, get married, and start a family.’ Dig a bit deeper. Ask yourself why. Get to the root of what you want and need. 

For me, it is to reach as wide an audience as possible, because I have something to say and want to be heard. I want to connect with readers through my words and make a difference – whether it is to give a few hours of escape or to inspire in some way. I have a unique combination of skills and experience that make me who I am. My purpose is clear and is not dependent on another person. A publishing contract is just one way to achieve my goal. I have everything I need to fulfil my potential and achieve my dreams.

It is great to find true love, to get approval, and positive affirmation. We all need this. But when it does not come from the source we expected, it doesn’t mean that we are undeserving. It just means, it isn’t the right one for us at that time.

You are God’s gift 

You must have heard the saying, ‘He/she thinks they are God’s gift.’ Well, guess what, you and me – we areGod’s gift to the world. We have been provided with all that we need to fulfil our unique purpose. It may have arrived in a box, like a flatpack from Ikea – full of odds and ends that are a mystery to us. The instructions assure us that everything is there, we just need the patience to put it all together. When we are distracted, comparing ourselves to others, and seeking approval, we are neglecting our gift. 

Spend time marvelling over everything in that box. Value each of the parts, however small, because they are essential to creating our true self:  our skills, attributes, personality traits, our dreams and wishes, our passions. When we realise just how amazing we are, we are fired up with positive energy. Not only is that very attractive – we are no longer a box of oddments, we are the shiny fully assembled model in the shop window, it enables us to know exactly what we need and to be discerning. Instead of waiting to be chosen, we do the choosing. 

The magic outside our comfort zone

Many years ago, I watched a television programme that left an impression on me. An older woman explained why she took up sky-diving in her sixties. It was an antidote to the risk of an ever-diminishing life, as a result of living within her comfort zone. As we get older, we can be less inclined to take risks and settle into a comfortable routine. Sky-diving is a bit extreme. I considered trying a tandem skydive but the thought of jumping out of a plane terrifies me. In the 2001 film Kate and Leopold, Meg Ryan has to step off the Brooklynn Bridge, to be reunited with Leopold and to live the life she truly desires. I love that film, but every time I watch it she goes to jump and I think, I couldn’t do it. I would lose everything because I would be too afraid.

There is a parallel here to life. It’s great being comfortable, feeling calm and secure. When our world changes, establishing a routine can help us to feel in control.  During lockdown, a routine helped many of us create a sense of stability in a scary world. However, over time we can become stuck, moving within the boundaries we have established. Comfort turns to discontent as we become aware of our unfilled potential. It is frightening to step out of our comfort zone: fear of failure, rejection, or disappointment. But we risk losing much more if we stay put. We risk losing the opportunity to fulfil our potential, and to discover new interests and passions. We aren’t just denying ourselves the expression of our true self and all that we can be, we are denying it to the world. We have a responsibility to fulfil our potential and that means continuing to learn and grow, whatever stage of life we are at. 

In an earlier blog Welcoming change, I told you how I was letting go of a successful career as a management consultant to start a new one as an indie author entrepreneur. It was and is scary. I was very comfortable with my working life, but this meant that nothing challenged me. I had decades of experience in health and social care. I could take on any management consultancy job in my field and know that I had the skills and experience to deliver. It was a great place to be and paid the bills. Outside of my comfort zone was my unfulfilled potential. I knew I wanted to be a published author and there were other things, other versions of me that I needed to explore. I am only just discovering some of that potential, as I try out new things. 

Yes, we may fail. I made my first book promotion video without looking at the camera because I didn’t know where it was on my phone. I’ll know next time, so it isn’t failure; it’s my first attempt. I like the old adage that when we mess things up we just need to use the experience as manure to nourish future projects. 

The past six months have been a steep learning curve for me. I have learnt how to: commission and work with a creative team (editors and book cover designer), format a manuscript for publication, self-publish, set up and write a blog, use Mailchimp to share a newsletter, and use social media (Twitter, Instagram, Business page on Facebook). I am planning a YouTube channel to broadcast twice a week from January 2021, and I am writing and publishing another two novels next year.

 I am sixty and so I have not grown up with the technology that younger people are experienced in using. Of course, I have experienced frustration and felt stupid. What happens if my investment of time and money doesn’t pay off? I have felt weary, exhausted from the effort and relentless drive to succeed. But, I am growing. I am learning. And I am transforming. I am becoming a new me. I am pushing out into the unknown and with each step into that magical terrain, my world becomes bigger. Instead of feeling the weight of fear and uncertainty, I am going to embrace each new experience and find joy in learning. 

There’s just one other thing I will resolve to do. This is the scariest of all. I am going to visit my local swimming pool and jump into the deep end. It is a first step. I will not jump out of a plane, but maybe, if I can learn to do that without fear, I might just be able to jump back in time to be with the love of my life, should a Leopold beckon me one day. 

Wanting Something Too Much – Part Three

This is the third blog on Wanting something too much. 

In part one, I described the blip of happiness or despair when the one thing we want, or fear finally happens. Often, it is not life-changing in the way that we have imagined and life resumes. My message is to make sure the life you live now is a good one, and don’t hang all of your hopes on that elusive dream.

In part two, I reflected on outcomes. By attaching too much to one outcome, we can become blinded to other opportunities. When we have an open heart and mind we invite new possibilities into our life and in doing so, find the best outcome for us. 

Photo by Pixabay on Pexels.com

I know what it feels like to want something too much. It is a tightly clenched fist in the solar plexus, a lump of longing that takes up all the room in your heart. You are afraid to release your grip. As though holding tight to that dream will make it come true, and to release your grip will lessen your chances of success. I have learned that this is not true and by wanting something too much we are driving away the very thing that we want. 

We have all heard the stories of a couple who conceive when they have stopped trying for a baby, the girlfriend who meets the love of her life after resigning herself to a future of singledom, the job offers that flood in when you have decided to become self-employed. 

When we are desperate for something we become tense. There is a physiological reaction that may lead to symptoms of stress, for me it is eczema and migraines. We become so focused that we have tunnel vision and miss the bigger picture. A tense, intense person, who is desperate for something, is not attractive and can repel the person that they want to attract. 

If you are in a furniture store and a sales assistant working for commission pursues you relentlessly, advising you of the features of every sofa you show a vague interest in, I suspect that like me, you will decide to visit another day or go to a different store where you won’t be hounded into buying something. 

Many years ago, I had a friend who following a divorce was desperate to find another man. This friend was young, attractive, and clever. She had a great job and was financially independent. She threw herself into the dating world with gusto, joining on-line dating agencies and requesting blind dates. I tried introducing her to eligible men but her desperation scared them off. Sadly, none of her would-be partners wanted a second date.

I am extremely embarrassed to confess that when I started out as a management consultant I stepped out of a meeting to run after someone who I thought might be interested in hiring me. I cringe when I remember this. At that time, I was terrified that I would not attract any clients and of course I didn’t. When I relaxed and went with the flow, I had plenty of work. The more work I had, the more I was offered. 

When we are relaxed and content we are open to new possibilities. We notice opportunities because we have an open mind and are more susceptible to ideas that come into our orbit. People are drawn to us because we radiate positivity. 

I know it is hard to let go of longing. Keep hold of your dream but try to gently release your grip. Imagine that knot of tension, softening. Breathing exercises and meditation can help with this. When I am meditating, I imagine a lotus flower opening up to the sun. It takes practice but you can relax your hold. 

I believe that our purpose is an idea that is sown like a seed in our heart. Our wish to be a writer, an artist, a chef, an acrobat is intense because we are driven to achieve our life purpose. But just as the seed has been sown, trust that your dream will come to fruition. Open yourself up to a greater power. Trust that what you need will come to you. Be relaxed and calm. Because then you will find the golden breadcrumbs that will lead you to your destiny- a chance meeting, an advertisement, an idea that comes from a conversation.

I have devoted three blogs to this topic and could write more. Longing for success is the bane of creatives. Learning to attract what we need into our life is an important lesson for all of us.

Wishing you all a plentiful harvest. Namaste. 

Inviting new opportunities into your life

Wanting something too much – part two 

My heart aches for the creatives who share their heartfelt wish in social media with longing and desperation because I know how it feels to want something so badly. 

Changing career

This is a lesson that has taken me some time to learn, and I am still learning. When I was forty, I could see only one way to further my career and that was the next step up on the career ladder – a chief executive of a health trust. It had been my goal for years and I had made steady progress up until that point. I was shortlisted again and again but was disappointed when I received the news that I had not been successful and each time a different or conflicting reason – ‘too strategic,’ ‘not strategic enough.’ I didn’t know what to do as this had always been my goal and it felt too early in my career to settle for what I had already achieved.

I was in the depths of despair. I felt rejected – unworthy. Not good enough. I was blinded to other opportunities because I was too focused on that one outcome. A wise woman suggested that I was feeling discomfort as the job I had was no longer a good fit for me. Like an ill-fitting shoe I had outgrown the role. This sparked my imagination and I wrote down all the things I enjoyed and was good at, also the things I didn’t like about my job. 

Unsurprisingly, the job I had set my heart on was not a good fit for me either. The result was a specification of my unique combination of skills, expertise, and experience. I used that to evaluate every job advertised within a salary scale that was acceptable. In keeping an open mind, I came across an advertisement that I would never have considered before. I wasn’t even sure what the job description meant, but it was a perfect fit with my personal specification and the employer thought so too, because at the end of a two-day selection process I was offered the job. What unfolded from there was better than I could have imagined. I found the perfect career for me as one opportunity led to another.

Through this experience, I learned that my imagination is limited. The universe/God’s vision is greater. When I stopped hanging on tightly to what I thought should happen and opened my heart and mind to possibilities, I was led to the best outcome for me. 

The best outcome for you

You may be focused on bagging your dream agent, securing a traditional publishing deal, getting that promotion, or your ideal job and I wish you success. Keep working towards your goal and hopefully, your wish will come true. However, too narrow a focus might be blinding you to other opportunities. 

Try brainstorming all of the options. Be imaginative and open yourself up to the infinite possibilities for your success. Instead of focusing on one agent, try approaching several. Visualise offers coming in from four or more so that you have to choose. Submit to independent publishers. Enter novel writing competitions. Scatter these seeds of possibility and you may be surprised by what grows. 

Your future is waiting for you. It could be brighter and bigger than anything you have imagined, but you need to open your heart and mind to new possibilities and trust that what is right for you will find you.